压缩/谐波/立体声/效果器插件 Plugin Alliance ADPTR Audio Hype v1.0.1 [WiN+MAC]

版本 | WiN-v1.0.0 | MAC-v1.0.1
Win 10-11 | VST | VST3 | 38.6MB
Mac11.x-14.X |  AU | VST | VST3 | 17.6MB

HYPE 体现了高端混音硬件的特点，为压缩、谐波和立体声宽度调整提供了动态处理工具。它通过顶级压缩和突破性的谐波泛音超越了模拟极限。

一个优雅的工作流程中包含三个混音插件
无论你是要加厚鼓循环、增强人声音轨，还是制作最终混音母带，HYPE 简单的三段式设计将大量强大的混音和音频增强工具集合在一个简单易用的插件中。

无限制的多频段谐波
在 HYPE 中轻松组合多个谐波发生器和压缩算法，以驱动、饱和或增强信号。在三个频段中应用不同的谐波模式，提供从平滑细腻到肮脏失真的广泛范围。

谐波泛音的革命性方法
HYPE 采用先进的 ADAA 算法和 UrsaDSP 的 Trajectory 技术，可提供全频谱的谐波泛音，且不会过度处理或失真。这确保了谐波的一致性，并将非谐波含量降至最低，让你在任何增益水平下都能获得最佳谐波效果。

具有新功能的多频段压缩
HYPE 提供多种压缩算法，适用于从微妙到极端的各种风格。它具有对瞬态、混音和主体的详细控制，可对低频、中频和高频进行量身定制的动态塑形。

六种压缩器模式
从极端的 Slam 到经典的 Opto，从原始的 Brick 到精确的 Transient，六种压缩器模式从激进到微妙，应有尽有。Combo 融合了三种模式，实现了独特的混合；而 Gentle 则提供了优雅的微调，是母带处理的理想选择，提供了多功能的动态控制。

立体声中/边音–随心所欲
控制所有三个频段的中/侧设置，并独立调节干/湿信号。增强立体声图像和深度，通过音调控制柔化中频，并微调低音、人声等的声音特性。

改进混音选择
自动电平是 HYPE 不可或缺的一部分，它能确保混音的变化和增强不受响度的影响，从而改进混音决策。

功能特点
– 功能丰富的压缩、谐波和立体声宽度控制工具集于一个插件中
– 自动电平功能是 HYPE 功能的基础，可在整个混音过程中保持一致的感知响度。
– 六种压缩模式
– 六种谐波模式
– 预设库
– 用于控制并行处理的 HYPE 旋钮
– 多频段分频器，可通过直观的控制重新定义分频频率，调整各频段的平衡以进行有针对性的处理
– A/B/C/D 对比功能可将备选预置载入插槽进行直接对比，从而增强声音选择的决策过程
– 线性滤波器可保持绝对的相位关系，是并行处理、总线处理和提供卓越音质的完美选择
– 立体声模块用于对干信号和湿信号进行中间处理，以优化立体声图像和深度
– 详细的电平管理可确定向上压缩的最大电平，并配有输入和输出增益控制以及峰值和有效值电平的可视化测量功能
版本 1.0.1（2024 年 4 月 19 日）

– 软旁路： 改进了输入和输出电平的功能，并使接通时的音频更流畅。
– 增强用户界面：
– 在用户界面中添加了交叉类型和剪辑控制。
– 纠正了在旁路模式下打开插件时旁路叠加无法正确显示的显示问题。
– 立体声模块： 解决了旁路可能会减弱边信号从而影响无效测试的问题。
– 频率分析器 修复了偶尔出现的图形撕裂问题。
– 预设 扩展了预置库。
– 一些细微的用户界面错误

Plugin Alliance ADPTR Audio Hype
HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.

Three mixing plugins in one elegant workflow
Whether you’re thickening drum loops, enhancing vocal tracks, or mastering your final mix, HYPE’s simple three-section design puts a huge collection of powerful tools for mixing and audio enhancement in one simple-to-use plugin.

Multi-band harmonics with no limits
Easily combine multiple harmonic generators and compression algorithms in HYPE to drive, saturate, or enhance signals. Apply distinct harmonic modes across three bands, offering a broad range from smooth and creamy to dirty and distorted.

A revolutionary approach to harmonic overtones
HYPE delivers a full spectrum of harmonic overtones without overprocessing or distortion, thanks to its advanced ADAA algorithms and UrsaDSP’s Trajectory technology. This ensures consistent harmonics with minimal inharmonic content, letting you hit the harmonic sweet spot at any gain level.

Multi-band compression with new capabilities
HYPE provides a wide range of compression algorithms for all styles, from subtle to extreme. It features detailed controls for transient, mix, and body, allowing for tailored dynamic shaping across low, mid, and high frequencies.

Six compressor modes
From the extreme Slam to the classic Opto, and the pristine Brick, to the precise Transient, the six compressor modes range from radical to subtle. Combo merges three modes for a unique blend, while Gentle offers elegant, minor adjustments ideal for mastering, providing versatile dynamics control.

Stereo mid/side – it goes where you tell it to
Control mid/side settings across all three bands and independently adjust dry/wet signals. Enhance stereo image and depth, soften midrange frequencies with tone control, and fine-tune sound character for basses, vocals, and beyond.

Improve your mixing choices
Auto Level is integral to HYPE, ensuring changes and enhancements to your mix are unbiased by loudness, enabling improved mixing decisions.

FEATURES
– A feature-rich set of tools for compression, harmonics, and stereo width controls in one plugin
– Auto Level feature that underpins HYPE’s functionality, maintaining consistent perceived loudness across the mix.
– Six compression modes
– Six harmonic modes
– Preset library
– HYPE knob for controlling parallel processing
– Multi-band crossover for redefining crossover frequencies with intuitive controls, adjusting the balance across bands for targeted processing
– A/B/C/D comparison functions for loading alternative presets into slots for direct comparison, enhancing the decision-making process in sound selection
– Linear filters for maintaining absolute phase relationships, perfect for parallel processing, bus processing, and delivering superior sound quality
– Stereo module for harnessing mid-side processing on the dry and wet signals to optimize stereo image and depth
– Detailed level management establishes the maximum level for upward compression, complete with input and output gain controls and visual metering for peak and RMS levels