喷火情感类钢琴竖琴音源 Spitfire Audio Plucked Piano v1.2 KONTAKT 编曲音色库

KONTAKT | 1.91GB
(非标准音色库)

世界上好的钢琴之一，在最好的房间之一。被虐待为了我们自己隐秘的欲望。需要一种没有明显普罗维登斯但有一种自然的鼓舞人心的神秘之美的铅乐器。喷火弹钢琴可能是一个很好的开始…

保罗·汤姆森俯身在这架大型音乐会三角钢琴的音板上，毫不夸张地说，他的指甲和手指是指甲修剪师的噩梦。再加上喷火的能力，生产和策划的样品，闪耀着生命，同时能够组装和脚本的文书，只是工作“开箱即用”，钢琴弹拨模块是一个必须有任何受人尊敬的作曲家需要的东西“不同”。
概述

Spitfire’s Exclusive Range旨在为世界提供一站式的经典和深奥的乐器，由伟人演奏。由于所有这些乐器都是在同一个房间里原位录制的，它们被设计成在声音上锁定在一起，无论是来自打击乐范围的定音鼓还是你的Sable库。或者实际上是一个更奇怪的乐队由Hg20，弹拨钢琴和竖琴，它的目的是听起来像他们在同一个房间。
我们提供了一系列详细的混音选项，让您可以使声音干燥或更具环境感，同时保持声学完整性和一致的麦克风设置和房间配置的视角。这些乐器都经过了非常详细的采样，但设计成开箱即用，可以简单地集成到更大的编曲和模板中，而不会对系统资源要求过高。

背景

由Jake杰克逊在Lyndhurst Hall – Air录音棚录制，在世界上最好的录音舞台之一，通过Neve“Montserrat”前置放大器，通过一系列老式麦克风，到一台服务精美的Studer 2”磁带机，然后通过Prism AD转换器转换为96 k的数字信号：这是一个无与伦比的信号链。

作为作曲家，我们总是在寻找一种“主导”弦乐器，它可以做钢琴、竖琴或吉他的工作，但听起来不像钢琴、竖琴或吉他，也没有刻板的联想。或者确实可以像扬琴或小提琴一样演奏，但没有地理联系或暗示。所以喷火乐队拿走了价值25万英镑的音乐会大提琴，从《哈利·波特》到《盗梦空间》，无数的电影配乐都有，而且…我们把它摘下来了。
我们记录到磁带和数字，这些都是从前面板选择。这两种动态-较软的指垫弹拨和较响的硬指甲弹拨，可以作为单独的“动态层”进行CC或速度控制，但也可以通过CC或速度再次混合成一个平滑的连续层。

该库提供了四个麦克风位置，您不仅可以混合和混合以适应您正在使用的应用程序，还可以自动实现焦点和深度的戏剧性变化。他们也完全输出分配的环绕声和5.1使用。最终的范围是为了适应喷火的整个管弦乐佳能，包括Albion，BML和一些签名范围，如果他们在同一时间在同一个房间里表演。

我们还包括’Pluckospheres’ -一个美丽的有机垫，大气和罢工的音调和音色在我们的水星合成引擎收集。

Spitfire Audio Plucked Piano v1.2 KONTAKT – 1,8 GB
One of the finest pianos in the world, in one of the finest rooms…. Abused. For our own esoteric desires. In need of a lead instrument that has no obvious providence but a natural inspiring enigmatic beauty all of its own. The Spitfire plucked piano may be a good place to start…

OVERVIEW
Paul Thomson leant over the sound board of this large concert grand piano and literally plucked and picked his nails and fingers into a manicurist’s nightmare. Coupled with Spitfire’s ability to produce and curate samples that sparkle with life, whilst being able assemble and script an instrument that just works “out of the box”, the Plucked Piano module is a must have for any respectable composer in need of something “different”.

BACKGROUND
Spitfire’s Definitive Range aims to offer the world a one-stop shop for classic and esoteric instruments played by the greats. As all these instruments are recorded in situ, in the same room, they’re designed to lock together sonically whether it be some timpani from the percussion range coupled with your Sable libraries. Or indeed a more curious band made up of the Hg20, a plucked piano and a harp, it is designed to sound like they’re together in the same room.

We provide a series of detailed mixing options that allow you to dry the sound up or make it more ambient, whilst preserving the acoustic integrity and perspective of a consistent microphone set up and room configuration. The instruments are all sampled in great detail but designed to play easily out-of-the-box, with simple integration into larger arrangements and templates without risk of demanding too much from your system resources.

Recorded by Jake Jackson at Lyndhurst Hall – Air Studios, on one of the finest scoring stages in the world, through an array of vintage microphones via Neve “Montserrat” pre-amps, to a beautifully serviced Studer 2” tape machine and then into digital at 96k via Prism AD converters: this is an unparalleled signal chain.

FEATURES
As composers we’re always on that quest to find a “lead” string instrument that does the job of a piano, harp, or guitar without sounding like one, without having the stereotypical association. Or indeed that can play like a dulcimer or cimbalom, but doesn’t have the geographical connection or insinuation. So Spitfire took quarter of a million pounds’ worth of concert grand heard on countless film scores from Harry Potter to Inception, and… well, we plucked it.

We recorded both to tape and to digital, and these are selectable from the front panel. The two dynamics – a softer fingerpad pluck, and the louder hard nail pluck, are either CC or velocity controllable as seperate ‘dynamic layers’, but can also be blended into one smooth continuous layer controllable again via CC or velocity.

The library is presented with four microphone positions which you can not only mix and blend to fit the application you’re working on, but also automate for dramatic shifts in focus and depth. They’re also fully output assignable for surround and 5.1 use. The definitive range is designed to fit in with Spitfire’s entire orchestral canon, including Albion, BML and some of the Signature Range as if they’re performing in the same room at the same time.

We also included ‘Pluckospheres’ – a beautiful collection of organic pad, atmos and strike tones and timbres in our Mercury Synth engine.