约书亚贝尔独奏小提琴音源 Embertone Joshua Bell Violin v1.1.1 KONTAKT 音色库

KONTAKT | 8.77GB
(标准音色库)

要求：5.7.3+

约书亚-贝尔小提琴
我们的目标是创建虚拟弦乐独奏的新标准，在不牺牲灵活性的情况下提供大量灵感……并具有国际著名小提琴家约书亚-贝尔的独特标志性音色。

约书亚-贝尔小提琴提供了大量标准发音，如延音、拨弦、顿音、吐弦等，还有许多其他地方找不到的样本集。我们还捕捉到了一组令人难以置信的连奏和音，以及 “超级华彩”，这是约书亚-贝尔从他那把有 300 多年历史的小提琴上获得的一种特殊技巧。

虽然 VI 的功能非常强大，拥有近 20,000 个独立采样，但它的设计却非常简单易用。开箱即可演奏，它将给你带来灵感和惊喜！这款虚拟小提琴采用智能预测编程，使用各种音乐倾向和规则集。它具有 12 种不同的连音过渡类型，您可以在各种节奏、动态和风格中真实地演奏约书亚-贝尔小提琴，捕捉真实演奏的细微差别！
美轮美奂的体验
从 “演奏 ”视图中，您可以进入约书亚-贝尔的视角，完全控制他的 “吉布森前胡伯曼 ”斯特拉迪瓦里小提琴的方方面面。约书亚-贝尔小提琴》是与约书亚-贝尔本人密切合作开发和演奏的，采用三页核心布局，精心关注设计和用户体验： 特色、直觉和控制。
传奇表演
除了所有底层建模引擎外，还可访问约书亚-贝尔在其著名小提琴上演奏的大量真实曲目库，并通过衔接浏览器进行直观分类。
个性化音效
通过选择与红外大师 Ernest Cholakis 合作制作的自定义卷积脉冲响应，探索各种音色，从而改变小提琴的音调，并将其置于不同的环境中。
创新的人性化引擎
我们花了大量时间分析约书亚-贝尔的演奏，以开发复杂的脚本行为，模拟他微妙的演奏 “倾向”。这些 “倾向 ”会根据演奏输入做出反应，例如模拟在快速演奏时音高变得不那么准确的效果，以及触发逼真的三连音，从而实现通常采样乐器无法实现的逼真度。
完全可控
完全控制与约书亚-贝尔小提琴的互动方式。从符合自己设置的常用预配置中进行选择，根据自己的喜好进行调整，或从头开始配置自己的配置。
可控性极强
按照典型的 Embertone 风格，我们走进了兔子洞。控制编辑器 “的问世，为您提供了一种与性能引擎进行深度交互的核心方式，用于创建极其个性化的控制配置。

通过控制编辑器，您可以将任何触发器（包括但不限于 MIDI CC、按键开关甚至演奏速度）映射到约书亚-贝尔小提琴的任何元素上。这将为您带来意想不到的创造性效果，为您的音乐表现提供前所未有的控制。
微调设置
清除采样、调整演奏选项或补偿过渡延迟。任何事情都有调整的余地，这款小提琴也不例外–《约书亚-贝尔小提琴》的每项功能都可配置。
突出功能
真正的连奏采样
我们录制了三种连奏风格的每个音符之间的过渡。当你演奏相连的乐句时，你将听到真实的过渡演奏，而不会交叉淡入延音采样。

建模辅助揉弦
约书亚-贝尔小提琴使用真实的揉弦采样，但为了实现实时控制，当你触发非揉弦采样时，引擎会引入我们的模型揉弦引擎。这样，你就能在需要时独立控制揉弦力度和速度。

建模辅助动态
我们对多个动态级别的真实录音进行采样，作为乐器的 “香饽饽”，但为了实现实时动态控制，而无需交叉淡入淡出分层，该引擎使用了合成和采样的混合组合。

自适应交叉渐变
通过分析采样音量数据，乐器会主动进行微小调整，以匹配采样交叉淡入淡出转换之间的音符音量，从而使连奏更加流畅，并让您可以随时在各种衔接之间进行转换。

自适应连奏
我们的大多数乐器都具有创新的自适应连奏功能，可根据您的演奏调整连奏转换速度，提供前所未有的灵敏演奏动作。

滑音速度控制
在自适应连奏功能的基础上，从 v1.1 版本更新起，您可以实时或静态设置控制 Portamento 连奏转换的长度。

八度以外的连奏
与您可能演奏过的任何其他采样乐器不同，约书亚-贝尔小提琴包含超过一个八度音程的真正连音过渡，否则传统上只能在一个八度音程内过渡。

独特的衔接
真正的和声连音、情感回弓和 “Superflaut”–这些都是代表约书亚-贝尔特色音色的特殊发音。

这就是约书亚-贝尔，不言而喻！
约书亚-贝尔花了数小时与我们一起精心采样他无价的小提琴–这是真正的粉丝时刻！这是我们迄今为止最雄心勃勃的项目：为作曲家提供了一个强大的工具，同时也记录了一段重要的音乐历史。能与您分享，我们感到无比自豪。
1.1.1 版本更新日志
– 衔接选择现在可在保存项目/补丁时保持不变
– 修复了 “约书亚-贝尔小提琴（传统）”补丁，使其能在 KONTAKT 5.4.1 中正确加载
– 修复了控制预置备份文件，以反映 v1.1.0 中的新功能配置
– 修复了丢失的库信息和图形
– 添加了丢失的 NKS 预览文件
– 更正了信息窗格中的一些描述
– 小的调整和清理

已知问题
– 在 Kontakt 版本 6 中滚动控制预置编辑器时，修改器按钮有时不显示。
版本 1.1.0 更新日志
新功能
– Portamento 速度控制： 根据用户通过控制预置编辑器选择的控制输入，实时更改 Portamento 采样的速度。有关新控件，请参阅 “设置 ”页面。
– 连奏重音 用于演奏连音重音的新控制元素。
– 滑音覆盖 新增 Intuition 自动化功能，用于在慢速演奏时自动触发 Portamento 采样。
– Rebow 控制元素： 现在可以在控制预置编辑器中配置如何在保持延音期间触发即时重弓。
– 单声道麦克风模式： 设置 “页面中新增了在立体声/单声道麦克风之间切换的选项。

更新
– 改进了 “音高不稳定性 ”直觉引擎。
– 短（Ricochet、Spic、Stac、Pizz）控制元素现在在控制预设编辑器中具有 “快速释放 ”和 “即时 ”触发选项。
– 为 “Rebow ”和 “Rebow Emo ”控制预设元素添加了 “即时 ”控制行为修改器选项。
– 改进了 “快速释放 ”控制触发选项。
– 颤音滑块现在能反映 “颤音变化 ”直觉自动化移动。
– 更新了一些图形，以提高在较暗背景下的可视性。
– 在直觉页面上加入了 “注意 ”按钮，以便进一步说明。
– 改进了某些衔接 “组 ”内的控制预置触发，以获得更好的预期控制效果。
– 改进了 Sul Pont 版本。
– 将默认乐器音量增至 0db。
– 添加了限制器，以防止在某些情况下出现大音量峰值。
– 将尖锐释放音量降低 -2db。

错误修正
– 修复了在加载快照时 Legato 音量感知引擎（可确保采样之间的平滑交叉淡入淡出）崩溃的问题。
– 修正了不良时序，并大大提高了 Portamento 样品重放的一致性。
– 修复了各种不良采样。
– 修复了混响预置按钮失灵的问题。
– 修正了一个图形错误，该错误导致标签 BG 显示不正确。
– 现在，“Poly ”按钮的设置在更改控制预置时依然有效。
– 修正了 “轮廓/快变/慢变 ”瞬间触发行为。
– 多重停止现在可以根据 “Vib/NonVib Variance ”直觉正确地以 Vib 或 NonVib 触发指定和弦的所有音符。

* 仅更新 “包括更新和与任何版本的音色库兼容。
1713 Gibson 前胡伯曼斯特拉迪瓦里小提琴
1713 年 “休伯曼 ”斯特拉迪瓦里小提琴现在为约书亚-贝尔（Joshua Bell）所拥有，它有着一段惊心动魄的历史。这把小提琴的前身是 “吉布森 ”斯特拉迪瓦里小提琴，曾两次从波兰小提琴家布罗尼斯瓦夫-休伯曼（Bronislaw Huberman）手中失窃，近50年来被窃贼–一位名叫朱利安-阿尔特曼（Julian Altman）的咖啡馆小提琴家–临终前向妻子忏悔，一直没有被人发现。

阿尔特曼死后，他的妻子对小提琴进行了鉴定，并向有关部门报告。这把小提琴后来卖给了英国著名小提琴家诺伯特-布劳因（Norbert Brainin）。约书亚随后介入，他对小提琴的合法拥有者布罗尼斯瓦夫-休伯曼（Bronislaw Huberman，1947 年去世）和这把他认为必须演奏的乐器表现出极大的同情。

用贝尔的话说：”一想到小提琴静静地躺在地窖里，我就觉得不舒服。这把琴是用来演奏的，而不仅仅是用来欣赏的。他以将近 400 万美元的价格买下了这把小提琴，同时卖掉了自己价值 200 万美元的 1732 年汤姆-泰勒斯特拉迪瓦里小提琴。剩下的就是历史了，约书亚至今只使用这把琴！
在纽约市的 Power Station 录制
纽约伯克利音乐学院的 Power Station（前身为 Avatar Studios）是世界著名的录音室，位于曼哈顿中心地带。该录音室以其卓越的音响效果和先进的设备而闻名，一直是各种类型艺术家的首选之地。伯克利音乐学院的 Power Station 工作室拥有丰富的经典录音历史和追求卓越的承诺，是复古魅力与现代创新的独特融合，是创造与合作的完美环境。

约书亚-贝尔小提琴的录音环节由格莱美获奖录音师理查德-金（Richard King）负责，他曾为约书亚-贝尔、马友友和波士顿交响乐团等世界知名艺术家录制唱片，经验丰富。
特点
– 演奏 1713 年的 “Gibson ex-Huberman ”斯特拉德琴
– 由约书亚-贝尔亲自演奏
– 以 “真正的连奏 ”方式采样
– 自适应连奏
– 音量感知连音
– 实时自适应交叉渐变
– 自定义卷积脉冲响应
– 先进的直觉引擎
– 控制预置和控制预置编辑器
– 采样与建模颤音控制
内容
– 攻击 4 种风格，4 种动态，2-4 个 RR
– 连音滑音：2 种速度，3 种动态，颤音和非颤音
– 连弓：2 种速度，3 种动态，颤音和非颤音
– 连音门： 振动和非振动
– 长音后弓：2 种速度，3 种动态，颤音和非颤音
– 连音 Emo Rebow：3 种动态，振动和非振动
– 连音谐波 弓形、滑音、波塔音、苏斯音
– 持续摇摆 4 种风格，4 种动态，2-4 个 RR
– 非颤音延音 4 种风格，4 种动态，2-4 RR
– 轮廓延音 3 种风格，2 种长度
– 颤音 3 种风格，2 种动态
– 颤音： 2 种类型， 2 风格， 2 动态
– 顿挫： 3 种力度， 8 个重音
– 颤音： 3 种动态， 8 RR
– 回旋：2 种类型，2-8 RR
– 拨弦：4 个力度（包括巴托克），4 个重音
– 释放 3 种风格，4 种动态
规格
– 8.86 GB 已安装
– 48kHz / 24 位 / 立体声（96/24 录制）
– 20,000+ 个样本
– 兼容 Mac 和 Windows
– 包含传统补丁
需要 Native Instruments Kontakt Player 或 Kontakt FULL v5.6.8 及更高版本！
Embertone Joshua Bell Violin v1.1.1 KONTAKT | Update ONLY – 547 MB | FULL – 8,77 GB
Joshua Bell Violin
We set out to create a new standard in virtual solo strings, offering plenty of inspiration without sacrificing flexibility… and with the unmistakable, iconic sound of internationally acclaimed violinist Joshua Bell.

Joshua Bell Violin offers a huge variety of standard articulations like sustains, pizzicatos, staccatos, spiccatos, etc, along with a number of sample sets you’re not likely to find anywhere else. We captured an incredible legato set of beautifully haunting harmonics, as well as “super-flautando”, a special technique Joshua Bell can harness from his 300+ year-old violin, and much more.

While this VI is incredibly powerful, featuring almost 20,000 individual Samples, it’s designed to be simple to use. Play it straight out of the box and it will inspire and surprise you! This virtual violin utilizes intelligent and predictive programming using a diverse array of musical tendencies and rule sets. Complete with 12 distinct legato transition types, you can perform the Joshua Bell violin authentically across a range of tempos, dynamics, and styles, capturing the nuances of a true performance!
A Virtuosic Experience
From the Performance view, step into the shoes of Joshua Bell with total control over every aspect of his ‘Gibson ex-Huberman’ Stradivarius violin. The Joshua Bell Violin was developed and performed in close collaboration with Joshua Bell himself, with careful attention to the design and user experience with a 3-page core layout: Character, Intuition, and Control.
Legendary Performances
In addition to all of the modeling engines going on under-the-hood, access an extensive library of real performances by Joshua Bell on his infamous violin – intuitively sorted via an articulation browser.
Personalize Your Sound
Explore a palette of sound colors by selecting from custom convolution impulse responses crafted in collaboration with IR guru Ernest Cholakis, allowing you to change the tone of the violin, and place it in different environments.
Innovative Humanization Engine
We spent a lot of time analyzing Joshua Bell’s performances to develop complex scripted behaviors that model his subtle performance “tendencies”. These tendencies react based on performance input in such ways as emulating the effect of pitch becoming less accurate while playing fast, to triggering realistic triple-stops, for achieving a layer of realism normally impossible with sampled instruments.
Fully Controllable
Take full control over how you interact with the Joshua Bell Violin. Select from common pre-configurations that conform to your own setup, tweak them to your liking, or configure your own from the ground up.
Seriously Insanely Controllable
In typical Embertone fashion, we went down the rabbit hole. Introducing the Control Editor – offering a deep way to interact with the performance engine at its core for creating extremely customized control configurations.

The Control Editor enables you to map any trigger—including but not limited to MIDI CC, Keyswitches, or even Performance Speed—to any element of the Joshua Bell Violin. This opens things up for some creative and unexpected results, offering you unprecedented control over your musical expressions.
Fine-Tune Your Setup
Purge samples, adjust performance options, or compensate for transition delay. There’s always room for tweaking things, and this one’s no exception – every feature in Joshua Bell Violin is configurable.
Standout Features
True Legato Samples
We recorded transitions to-and-from each note for three Legato styles. When you play connected lines, you hear real transition performances – without crossfading into sustain samples.

Modeling-Assisted Vibrato
Joshua Bell Violin uses real vibrato samples – but to allow for real-time control, the engine introduces our modeled vibrato engine when you trigger non-vibrato samples. This gives you independent control over vibrato intensity and speed when you need it.

Modeling-Assisted Dynamics
We sampled real recordings at multiple dynamic levels as the “meat-and-potatoes” of the instrument, but in order to allow for real-time Dynamics control without crossfade layering – the engine uses a hybrid combo of synthesis and sampling.

Adaptive Crossfading
By analyzing sample volume data, the instrument actively makes small adjustments to match note volume between sample crossfade transitions – making legato smoother and allowing you to transition between various articulations at any moment.

Adaptive Legato
Most of our instruments wield our innovative Adaptive Legato feature, which adjusts legato transition speed in response to your performance – offering responsive performative action like never before.

Portamento Speed Control
Expanding on our Adaptive Legato feature, you can control the length of Portamento Legato transitions in real-time or as a static setting, as of the v1.1 update.

Beyond-Octave Legato
Unlike any other sampled instrument you are likely to play, Joshua Bell Violin contains real legato transitions beyond intervals of one octave – otherwise traditionally limited to transitions within one octave.

Unique Articulations
True Harmonic Legato, Emotional Rebows, and “Superflaut” – just a few of the special articulations included that represent the characteristic sound of Joshua Bell.

It’s Joshua Bell, ’nuff said!
Joshua Bell spent hours meticulously sampling his priceless violin with us—a true fan-boy moment! The result is our most ambitious project yet: a powerful tool for composers that also captures a vital piece of musical history. We’re incredibly proud to share it with you.
Version 1.1.1 Changelog
– Articulation selection now persists across project/patch saves
– Fixed the ‘Joshua Bell Violin (Legacy)’ patch to properly load in Kontakt 5.4.1
– Fixed the Control Preset backup files to reflect the new feature configurations in v1.1.0
– Fixed missing library information and graphics
– Added missing NKS preview file
– Corrected some Info Pane descriptions
– Minor tweaks and cleanup

KNOWN ISSUES
– Modifier buttons sometimes don’t display in Kontakt version 6 when scrolling the Control Preset Editor.
Version 1.1.0 Changelog
NEW FEATURES
– Portamento Speed Control: Change the speed of Portamento samples in real-time based on user-selected control input via the Control Preset editor. See Settings page for new controls.
– Legato Accent: New Control element for playing accented legatos.
– Portamento Override: New Intuition automation for automatically triggering Portamento samples during slower playing.
– Rebow Control Element: You can now configure how to trigger instant re-bows during a held sustain, in the Control Preset Editor.
– Mono Mic mode: New option in the Settings page for switching between stereo/mono mics.

UPDATES
– Improved “Pitch Instability” Intuition engine.
– Short (Ricochet, Spic, Stac, Pizz) control elements now have “Quick Release” and “Instant” trigger options in the Control Preset editor.
– “Instant” control behavior modifier option added to “Rebow” and “Rebow Emo” Control Preset elements.
– Improved “Quick Release” control trigger options.
– Vibrato slider now reflects “Vib Variance” Intuition automation movement.
– Some graphics updated to improve visibility against darker backgrounds.
– Included “attention” button on Intuition page for extra clarification.
– Improved Control Preset triggering within certain articulation “groups” for better expected Control results.
– Improved Sul Pont releases.
– Increased default instrument volume to 0db.
– Added Limiter to protect against loud peaking in certain situations.
– Reduced Harsh Release volume by -2db.

BUG FIXES
– Fixed Legato Volume Awareness engine (this ensures smooth crossfading between samples) from breaking upon loading Snapshots.
– Fixed bad timings and greatly improved consistency of Portamento sample playback.
– Fixed various bad samples.
– Fixed Reverb preset buttons from not working.
– Fixed a graphical bug that caused label bg’s to display incorrectly.
– “Poly” button setting now persists across Control Preset changes.
– Fixed “Contour/Cresc/Decresc” Instant trigger behavior.
– Multi-stops now correctly trigger all notes of a given chord as Vib or NonVib depending on the “Vib/NonVib Variance” Intuition.

* “Update ONLY” includes both updates and compatible with any version of the library.
The 1713 Gibson ex-Huberman Stradivarius
Now owned by Joshua Bell, the 1713 ‘Huberman’ Stradivari violin has a thrilling history. Formerly known as the ‘Gibson’ Strad, the violin was twice stolen from the Polish violinist Bronislaw Huberman and for nearly 50 years remained undiscovered in plain sight, disguised by its thief – a café violinist named Julian Altman who made a deathbed confession to his wife.

After Altman’s death, his wife had the violin authenticated and reported to the proper authorities. The fiddle was then sold to Norbert Brainin, an acclaimed English violinist, who later decided to sell the violin to a dealer who had an investor eyeing it for a museum piece. Then Joshua stepped in, showing great empathy for its rightful owner, Bronislaw Huberman, who had passed away in 1947, and for the instrument which he felt must be played.

In Bell’s words, “The idea of the violin resting silently in a vault made me ill. This was an instrument meant to be played, not just admired.” He purchased the violin for nearly $4 million, selling his own $2 million 1732 Tom Taylor Strad in the process. The rest is history, and Joshua uses the instrument exclusively to this day!
Recorded at Power Station in NYC
Power Station at BerkleeNYC (formerly Avatar Studios) is a world-renowned recording studio located in the heart of Manhattan. Known for its exceptional acoustics and state-of-the-art equipment, the studio has been a premier destination for artists across all genres. With a rich history of iconic recordings and a commitment to excellence, Power Station at BerkleeNYC offers a unique blend of vintage charm and modern innovation, making it the perfect environment for creativity and collaboration.

The Joshua Bell Violin recording sessions were expertly engineered by Grammy award-winning recording engineer Richard King, whose extensive experience includes recording for world-renowned artists such as Joshua Bell, Yo-Yo Ma, and the Boston Symphony Orchestra, among others.
Features
– Play the ‘Gibson ex-Huberman’ Strad of 1713
– Performances by Joshua Bell himself
– Sampled in ‘True Legato’ fashion
– Adaptive Legato
– Volume Awareness Legato
– Realtime Adaptive Crossfading
– Custom Convolution Impulse Responses
– Advanced Intuition Engine
– Control Presets & Control Preset Editor
– Sampled & Modeled Vibrato controls
Content
– Attacks: 4 Styles, 4 Dynamics, 2–4 RR
– Legato Slur: 2 Speeds, 3 Dynamics, Vib & NonVib
– Legato Bow: 2 Speeds, 3 Dynamics, Vib & NonVib
– Legato Porta: Vib & NonVib
– Legato Rebow: 2 Speeds, 3 Dynamics, Vib & NonVib
– Legato Emo Rebow: 3 Dynamics, Vib & NonVib
– Legato Harmonics: Bow, Slur, Porta, Sus
– Sustains Vib: 4 Styles, 4 Dynamics, 2–4 RR
– Sustains NonVib: 4 Styles, 4 Dynamics, 2–4 RR
– Contour Sustains: 3 Styles, 2 Lengths
– Tremolo: 3 Styles, 2 Dynamics
– Trill: 2 Types, 2 Styles, 2 Dynamics
– Staccato: 3 Dynamics, 8 RR
– Spiccato: 3 Dynamics, 8 RR
– Ricochet: 2 Types, 2–8 RR
– Pizzicato: 4 Dynamics (inc. Bartok), 4 RR
– Releases: 3 Styles, 4 Dynamics
Specs
– 8.86 GB Installed
– 48kHz / 24-bit / Stereo (Recorded 96/24)
– 20,000+ Samples
– Mac & Windows Compatible
– Legacy patch included
Requires Native Instruments Kontakt Player or Kontakt FULL v5.6.8 and higher!