合成器插件 Roland Cloud SH-2 v1.1.6 [WiN]

版本 | v1.1.6

Win 10-11 | VST | VST3 | 14MB

SH-2 软件合成器是 1979 年罗兰经典 SH-2 合成器的真实再现。SH-2 以其原始的复古音色而闻名，它的双 VCO 加次振荡器配置可发出极具破坏力的低音、前卫的主音和狂野的效果。

像 1979 年一样狂欢
20 世纪 70 年代末，随着复音和板载补丁存储器的发展，合成器经历了一次重大转型。就在全球合成器制造商争相开发这些新技术的时候，罗兰推出了一款看似基本的单声道合成器–如今的经典之作 SH-2。

低音之所在
与罗兰的先锋产品 JUPITER-4 同时发布的 SH-2 功能相对保守。但其两个 VCO 和一个副振荡器的配置使其拥有了三个 VCO，从而能够产生极其丰满和温暖的模拟合成音色。时至今日，许多合成器发烧友仍认为它能产生最震撼人心、撼人心魄的合成器低音音色。

插入你自己的 SH-2
SH-2 软件利用罗兰对原始设备的深入了解，忠实捕捉每一个细微之处，甚至是各个电路之间的互动。从自振荡 VCF 到陡峭包络线的攻击和衰减特性，一切都得到了精确再现。原版独特的谐波构成和音高摇摆，以及模拟电路中才会出现的行为，如调整与实际音色无关的参数时对音色的微妙影响，都一一呈现。甚至还有一些原版没有的新功能：

VCO 范围可扩展至 64’，用于演奏超深沉的低音
两个 ADSR 包络
现代效果：混响、节奏同步延时和比特破碎器
自动弯曲，支持反向操作
节奏同步琶音器

The SH-2 Software Synthesizer is an authentic sonic reproduction of Roland’s classic SH-2 synthesizer from 1979. Renowned for its raw vintage tone, the SH-2’s dual VCO plus sub-oscillator configuration dishes out devastatingly fat basses, edgy leads, and wild effects.

Party Like It’s 1979
In the late 1970s, synthesizers were undergoing a significant transition with the development of polyphony and onboard patch memory. As the world’s synth manufacturers raced to develop these new technologies, Roland launched a seemingly basic monophonic synthesizer—the now-classic SH-2.

The Place for Bass
Released around the same time as Roland’s pioneering JUPITER-4, the SH-2’s functionality was conservative by comparison. But its configuration of two VCOs and a sub-oscillator essentially gave it three VCOs, making it capable of extremely fat and warm analog synth tones. To this day, many synth aficionados feel it produces the most earth-shaking, bone-rattling synth bass sounds of all time.

Plug In Your Own SH-2
The SH-2 software leverages Roland’s deep knowledge of the original units to faithfully capture every fine detail, right down to the interaction between the individual circuits. Everything has been reproduced exactly, from the self-oscillating VCF to the attack and decay characteristics of the steep envelope. The original’s unique harmonic makeup and pitch wavering are present, as are behaviors that occur only in analog circuitry, like the subtle effect on tonality when parameters unrelated to the actual tone are adjusted. There are even some new features that were not available on the original:

VCO range is expandable to 64′ for ultra-deep bass
Two ADSR envelopes
Modern effects: reverb, tempo-syncing delay, and bit-crusher
Auto-bend with support for reverse actions
Tempo-syncing arpeggiator