混合钢琴音源 Sound Dust Plastic Ghost Piano 2 KONTAKT 编曲音色

KONTAKT | 1.02GB
(非标准音色)

通过在毫无防备的钢琴采样中喷射受控噪音，制作出音质绝佳、独一无二的纹理钢琴

9 种深度多重采样的钢琴发音

1.1GB 的 24bit 多重采样，每个音符多达 23 级速度。

100 张华丽快照

由 Mod 轮控制的反向引擎

Plastic Ghost Piano#2 是一款温暖、采样丰富的混合钢琴，采用卷积技术制作而成。

真的是独一无二。音色从温暖、木质、富有表现力的古怪钢琴，到令人心旷神怡的管弦乐朦胧声，应有尽有。通过实时控制，Mod 轮的表现力可带来奇异而华丽的循环、闪烁和反向钢琴效果。

毫不费力地将 “正常 “的钢琴声变为狂喜的另一个世界–然后再变回来……再变回来，等等等等。
声音尘埃 “奇趣商店中出现的每一件乐器都增加了新的创造力，这次重访 “塑料幽灵钢琴 “也不例外。这是潘德尔玩得最好的时候，他的每个按钮和滚轮都能将钢琴的声音扭转成新的东西。混乱总是隐藏在转角处，但成功之处在于以某种方式保持了有机和美丽、鬼魅和可爱”。马特-戴维森–我最喜欢的多次获得艾美奖的作曲家

白色幽灵》由一架破损的立式钢琴的录音制成，并以与 “塑料钢琴 “相同的方式卷曲。它有 23 层速度，但使用 Kontakt 中的时间机器引擎，这些层被拉伸到整个键盘范围（co 到 c7），从而增加了奇特和意想不到的人工痕迹。

Yellow Ghost 的工作原理与 White Ghost 类似，但使用了一组不同的破碎钢琴采样和两组共 10 个速度层。

白色钢琴是 Hohner Pianet T 电子钢琴的 4 速度多重采样。录制时为干式，但在界面中内置了再扩音功能。

塑料钢琴是在 Technics WSA1 模拟键盘上制作的多采样钢琴补丁。然后将每个单独的采样音符加载到卷积混响插件中，用不同程度的受控白噪声进行轰击，并将输出录制和重映射为 6 速度层多重采样。

Rubber Piano 实际上是通过阀门组合录制的多采样手掌哑音 Fender Stratocaster。其不可能的循环和音箱噪音为其增添了有用的弹拨和粗糙质感。

Pink Ghost 是塑料钢琴层的循环、拉伸和处理版本。与其他幽灵音层一样，它使用了一个可调节 BPM 以获得完整人妖效果的声母滤波器来代替颤音。

经过反转、编辑和循环的 Hohner Pianet T 电子钢琴多重样本。

颠倒、编辑和循环的塑料钢琴。

橡胶钢琴层的反转、循环、拉伸和处理版本。

该库需要 Kontakt 6.0.2 以上版本

Sound Dust Plastic Ghost Piano#2 KONTAKT
A wonderful sounding, one of a kind textural piano made by spurting bursts of controlled noise through unsuspecting piano samples

9 deeply multi sampled piano articulations

1.1GB of 24bit multi samples with up to 23 velocity levels per note.

100 gorgeous snapshots

Mod wheel controlled reverse engine

Plastic Ghost Piano#2 is a warm, richly sampled, hybrid piano made by using convolution technology in an unlikely way.

There really is nothing else like her. Sounds range from warm, woody and expressive wonky piano to blissed out orchestral haze. Mod wheel expression opens up weird and gorgeous looping, glitching and reverse piano effects with real-time control.

Effortlessly morph ‘proper’ piano sounds into ecstatic otherworldliness – and then back again… and back again etc etc.
‘Each instrument that emerges from the Sound Dust curiosity shop adds extra layers of invention, and this revisit to the Plastic Ghost Piano is no exception. It’s Pendle at his playful best, loading every button and wheel with the means to twist and turn piano sounds into something new. Chaos always hides round the corner, but the success is in somehow keeping things organic and beautiful, haunted and lovely.” Mat Davidson – my favourite multi Emmy winning composer

White Ghost is made from recordings of a broken upright piano convolved in the same way as the Plastic piano. There are 23 layers of velocity, but using the Time Machine engine in Kontakt these layers are stretched over the entire keyboard range (co to c7) which adds strange and unexpected artifacts .

Yellow Ghost works similarly to the White Ghost, but with a different set of broken piano samples and 2 sets of 10 velocity layers.

​White Piano is a 4 velocity multi sample of a Hohner Pianet T electric piano. Recorded dry, but with re-amping possibilities built into the interface.

The Plastic Piano is a multi sampled piano patch made on a Technics WSA1 modelling keyboard. Each individual sampled note was then loaded into a convolution reverb plug in and blasted with varying levels of controlled white noise, and the output recorded and remapped as a 6 velocity layer multi sample.

Rubber Piano is really a multi sampled palm muted Fender Stratocaster recorded through a valve combo. Its unlikely looping and hints of amp noise add a useful pluck and gritty texture.

Pink Ghost is a looped, stretched and treated version of the plastic piano layer. Like the other ghost layers, instead of vibrato there is a formant filter which can be BPM modulated for full banshee effect.

Reversed, edited and looped multi sample of a Hohner Pianet T electric piano.

Reversed, edited and looped plastic piano.

Reversed, looped, stretched and treated version of the rubber piano layer.

The library requires Kontakt 6.0.2+