抒情/情感类配乐/提琴弦乐音源 Strezov Sampling String Contours KONTAKT 编曲音色库

KONTAKT | 55.6GB
(标准音色库)

需要6.7.1+

超越传统的字符串样本！字符串轮廓是“上下文采样”中的一个新轨迹。无论是节奏还是表达。无缝提升曲目的声音，停止调整CC数据——让表演承载节目，专注于音乐本身！
什么是轮廓？
轮廓是具有固定长度和动态形状的记录性能。例如，一个1小节渐强的膨胀导致1小节渐弱，中间有一个弓形变化。

String Contours允许您演奏这些演奏并无缝更改音符，而无需触发新的演奏。你总是停留在最初表演的动态形状和措辞中。这导致了一个现实和合适的颤音以及动态流，没有任何Midi CC编程，允许高质量的结果，以及由于录音本身的表现力而更简约的作曲方法。

不同节奏的不同录音
由于乐句的演奏在很大程度上取决于它的上下文，尤其是在长度和速度方面，我们希望将这种上下文引入虚拟乐器的世界。

每个轮廓都以多种速度（3种不同的节奏）和形状（4种不同的动态形状）录制，以保留各部分现场表演的背景以及整个系列的一致性。KONTAKT根据主机音序器的速度自动挑选正确的样本池，并在速度变化时进行无缝调整。时间拉伸保持在绝对最小，所以几乎听不到。我们花了很多时间来寻找合适的tempi，为了达到最好的结果，需要记录下来。

一个例外是库中的“Normale Espressivo”补丁，它们仅以非常快的速度140录制，但仍然-这些也同步到DAW主机速度。
适应性
使用弦轮廓，您可以在所选形状的轮廓上更改演奏的音符。该脚本根据弓期间音符变化发生的位置和方式，智能地在音符之间添加释放和上下文记录的攻击，从而沿着记录的形状平滑过渡。

这些录音都是在乐器的音域内和各部分之间以一致的演奏风格完成的，因此当组合在一起时，你会感觉到演奏的单一意图和整个编曲的统一措辞。

透明和自然的录音
录音仅使用精心挑选的最适合所需音调和颤音审美的音乐家以及定制麦克风阵列进行，这些阵列总结为3个不同的麦克风位置和完全开箱即用的混合信号。大厅是中等大小的环境，以获得电影般的声音，但仍然保留尽可能多的细节。

由于这个库不使用任何动态层或圆形知更鸟，你总是得到一个真实的现场录音的声音，而没有通常的堆叠合奏垫声音。用大提琴独奏演奏三声部和弦，听起来就像三把大提琴一起演奏。

仪器
–小提琴组
–中提琴部分
-大提琴部分
-低音提琴部分
-小提琴独奏
-只有大提琴

BOWINGS
-正常
-正常表达
-在桥上正常回到桥上
-在按钮上
-颤音
-在颤音桥上
-卢尔
-在上下文中记录的Tenuto覆盖（可由速度控制）

动态形状（可通过按键开关获得）
-1-1（一小节渐强，一小节渐弱）
-2-2（两小节渐强，两小节渐弱）
-1-2（一小节渐强，两小节渐弱）
-2-1（两小节渐强，一小节渐弱）
需要原生乐器Kontakt Player或Kontakt FULL v6.7.0及更高版本！
Strezov Sampling String Contours KONTAKT – 51,41 GB
STRING CONTOURS
Venture beyond traditional string Samples! String Contours is a new trajectory in “contextual sampling”. Both in tempo and expression. Elevate the sound of your tracks seamlessly and stop tweaking CC data – let the performances carry the programming, and focus on the music itself!
WHAT IS A CONTOUR?
A contour is a recorded performance with a fixed length and dynamic shape. For example a swell with 1 bar of crescendo leading into 1 bar of diminuendo with a bow change in the middle of it.

String Contours allows you to play these performances and seamlessly change notes without triggering a new performance. You always stay within the initial performance’s dynamic shape and phrasing. This leads to a realistic and fitting vibrato as well as dynamic flow without any Midi CC programming allowing high quality results as well as a more minimalistic approach to composing due to the expressiveness of the recordings themselves.

DIFFERENT RECORDINGS FOR DIFFERENT TEMPI
As the performance of a musical phrase is heavily dependent on its context especially in length and tempo we wanted to introduce this contextuality into the world of virtual instruments.

Every contour was recorded at multiple speeds (3 different tempi) and shapes (4 different dynamic shapes) to retain the contextuality of a live performance across the sections along with cosistency across the entire collection. Kontakt automatically picks the correct sample pool based on the tempo of the host sequencer and seamlessly adjusts in case of tempo changes. Timestreching is kept to an absolute minimum, so it’s barely audible. A lot of time was spent on finding the right amount of tempi, which needed to be recorded in order to achieve the best results possible.

One exception are the “Normale Espressivo” patches within the library, which were recorded only in very fast tempo 140, but still – those are also synced to the DAW host tempo.
ADAPTABILITY
With String Contours you can change the notes of the performance across the contour of the selected shape. The scripting intelligently adds releases and contextually recorded attacks between the notes based on where and how the note change happens during the bow, leading to smooth transitions along the recorded shapes.

The recordings were all done to a consistent performance style within the range of the instrument and between the sections, so that when combined you reach a feeling of singular intent of performance and united phrasing across the lines of your arrangement.

TRANSPARENT AND NATURAL RECORDINGS
The recordings were done using only handpicked musicians best fit to the required aesthetic in tone and vibrato as well as custom microphone arrays summed down to 3 different mic positions and a fully produced out of the box mixed signal. The hall is of ambient medium size to get a cinematic sound, but still retain as much details as possible.

Due to the fact that this library doesn’t use any dynamic layers or Round Robins you always get the sound of a real live recording without the usual stacked ensemble pad sound. Play a three voiced chord with a solo cello and it will sound like three celli playing together.

INSTRUMENTS
– Violin Section
– Viola Section
– Cello Section
– Double Bass Section
– Solo Violin
– Solo Cello

BOWINGS
– Normale
– Normale Espressivo
– Sul Pont to Normale back to Sul Pont
– Sul Tasto
– Tremolo
– Sul Pont Tremolo
– Loure
– Tenuto Overlays (controllable by velocity) recorded in context

DYNAMIC SHAPES (available through Keyswitches)
– 1-1 (One bar crescendo one bar decrescendo)
– 2-2 (Two bars crescendo two bars decrescendo)
– 1-2 (One bar crescendo two bars decrescendo)
– 2-1 (Two bars crescendo one bar decrescendo)
Requires Native Instruments Kontakt Player or Kontakt FULL v6.7.1 and higher!

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