中国民族乐器/曲笛音源插件 Ample Sound Ample China Qudi ACQD v1.5.1 [WiN]

版本 | v1.5.1
Win 7-11 | AAX | VST | VST3 | 4.19GB
Mac10.13-新系统 | AAX | AU | VST | VST3 | 4.19GB

Ample China Qudi (ACQD) 建立在最新开发的木管乐器采样引擎上，拥有 4.4 GB 的采样，包括头部和身体发音、特效音效，以及精选的即兴乐段。
演奏者 丁小葵（中国民族管弦乐团）
乐器 优雅管乐系列 D 调曲笛（王建宏大师制作）

采样：
使用 5 个麦克风（前置、中置、后置、立体声环境）录音。每个话筒音量均可调节，并配有通道均衡器。
3 种麦克风模式： 单声道、现代和传统，能设计出丰富多彩的声音。
有 3 种发音组：头部组（蓝色按键开关）、身体组（黄色按键开关）和特效组（红色按键开关）。每组占一个八度音阶。
头部组用于在头部演奏宽限音符。宽限音符较多的衔接被分配给较高的按键开关；上升和下降衔接靠得很近。

管身组不仅可以在管头演奏优美的音符，还可以用来演奏衔接连音，以表现音体的变化。

木管乐器具有极大的动态范围和音色变化。样本库提供 5 个速度层，音色从轻微柔和到明亮有力。
其中 4 个速度层用于表情发音，2 个速度层用于颤音发音，还有真实的颤音样本。与 SAHDS 虚拟调制系统配合使用，它们可以创建生动逼真的音符。
音符速度用于控制表情和颤音衔接的开始时间，以产生缓慢发展的音符或强烈的音符。

采样长度平均约为 8 秒。在大多数情况下，它可以满足音符的要求。如果需要更长的音符，用户可以打开采样循环功能。

功能特点
智能连音系统
自动连奏系统可检测每个音符的持续时间。对于持续时间小于该值的连音，只会触发直连音，以确保在快速演奏时不会产生不必要的宽限音符。

当音符持续时间长于连奏时间时：

速度（126-127） 触发分层连奏（上升）和波纹连奏（下降）
速度（96-125） 触发优雅连音
速度（32-96） 触发直式连音
速度（16-31） 触发轻柔连音 1
速度（1-15） 触发软连音 2
在滑音连奏模式下，低速触发滑音。

在木管乐器的实际演奏中，连奏是不断变化的，时硬时软。没有变化的连奏无法完全模拟真实演奏。

保持踏板可用于打开双连音模式。

无尽衔接连音：
体组可用于无尽的衔接连奏。例如，您可以从一个 Sustain 开始，按住该音符，然后按 Expression 键钮 (C1) 为 Expression 音符演奏连奏；然后按 Marking 键钮 (E1) 为 Marking 音符演奏连奏，再按 Laying 键钮 (F1) 为 Laying 音符演奏连奏，以此类推。

创意镜像功能：
在音符响起时按下按键开关，将反转当前位置的采样。例如，它可以将 “上滑音 ”变为 “下滑音”，或将 “慢-快颤音 ”变为 “快-慢颤音”。它还可用于控制音符的持续体，如表情。

独立于声部的 SAHDS 调制系统：
每个声部都有自己的 SAHDS 调制包络线。

只要将调制轮保持在一个位置，就能获得自然逼真的颤音。

还可以调整调制速度、增益和音高。

可调节的风声效果：
风声是空气在木管中吹动的声音。我们从每个真实样本中提取了这一声音，以便对这一元素进行独立控制。

没有风声的木管乐器声音非常纯净。适度控制 Wind 的音量，并在演奏过程中做出一些改变，可以增加 “脏 ”的感觉和气息，提高逼真度。

其他新功能包括采样跳过技术、随机发音、弹奏和弦的键盘模式等。

特效：
高阶 8 段均衡器，直观的频率响应控制，输入和输出频谱的实时可视化，支持单段独奏。
2 线压缩器，输入和输出信号实时可视化，RMS 和 Peak 两种检测模式，支持软膝音、自动释放和自动化妆。
6 抽头回声：实时显示立体声信号的处理过程，可单独调整 6 个回声点的参数：反馈、平移、音量等。
红外混响，提供四种红外类型： 房间、工作室、大厅和更大的大厅。红外频谱三维可视化。

Ample China Qudi (ACQD) is built on the latest development of the Woodwind Sample Engine, with 4.4 GB samples, including head and body articulations, FX sounds, as well as a select collection of improvised licks.

The Artist: Xiaokui Ding (China National Traditional Orchestra)
The Instrument: Elegant Wind series D key Qudi (Jianhong Wang Masterbuilt)

Sampling:
Recorded with 5 mics (Front, Middle, Back, Stereo Ambient). Each mic volume is adjustable and equipped with channel EQ.
3 Mic modes: Mono, Modern and Traditional, capable of colorful sound designs.
There are 3 kinds of articulations – Head Group (blue keyswitches), Body Group (yellow keyswithces) and Special Effect Group (red keyswitches). Each group occupies one octave.
The head group is used to perform grace notes at head. Articulations with more grace notes are assigned to higher keyswitches; Ascending and descending articulations are close together.

The body group can not only perform grace notes at head, but can also be used for articulation legatos to express changes of the sound body.

The woodwinds have great dynamic range and timbre variation. The sample library provides 5 velocity layers, with sound from mildly soft to bright and strong.
There are 4 velocity layers for Expression articulation, 2 velocity layers for Vibrato articulation, and real samples of Trill sounds. Together with SAHDS virtual modulation system, they can create vivid and realistic notes.
Note velocity is used to control the start time of Expression and Vibrato articulations, to generate slowly developing notes or strong notes.

The sample length is about 8 seconds on average. In most cases, it can meet the requirements of a note. If longer notes are needed, users can turn on the Sample Loop function.

Features
Intelligent Legato System
The Auto Legato System detects the duration of each note. For legatos whose duration is less than this value, only the straight legato will be triggered to ensure that no unwanted grace notes are generated during fast performance.

When note duration is longer than Legato Time:

Velocity（126-127） Triggers Layering Legato (Ascending) and Ripple Legato(Descending)
Velocity（96-125） triggers Grace Legato
Velocity（32-96） triggers Straight Legato
Velocity（16-31） triggers Soft Legato 1
Velocity（1-15） triggers Soft Legato 2
In Slide Legato mode, low velocity triggers slide notes.

In the real performance of the Woodwind, the legatos are ever-changing, sometimes hard and sometimes soft. Legatos with no changes cannot completely simulate real performance.

Hold pedal can be used to turn on Double Legato Mode.

Endless Articulation Legato:
The body group can be used for endless articulation legatos. For example, you can start with a Sustain, hold the note, then play the Expression Keyswitch (C1) to play legato to an Expression note; then play Marking keyswitch (E1) to play legato to a Marking note, and then press Laying keyswitch (F1) to play legato to a Laying note, and so on.

Creative Mirroring Feature:
Playing the keyswitch when a note is sounding will reverse the sample at current position. It changes for example a Slide Up to Slide Down, or a Slow-Fast Vibrato to Fast-Slow Vibrato. It can also be used to control the sustained body of notes like Expression.

Voice independent SAHDS Modulation System:
Each voice has its on SAHDS modulation envelope.

You can get natural and realistic vibratos while keeping the Mod wheel in one position.

The mod speed, gain, and pitch can also be adjusted.

Adjustable Wind Effect:
The Wind is the sound of air blowing in the Woodwind tube. We extracted this sound from each real sample to enable the independent control of this element.

The sound of the woodwind without the Wind is very pure. Moderately control the volume of the Wind, and make some changes during the performance, can increase the feeling of “dirty” and breath, and improve the realism.

Other new features include sample skipping technology, random articulation, keyboard mode for playing chords etc.

FX:
High order 8-band EQ, intuitive control of frequency response, real-time visualization of input and output spectrum, support of soloing single band..
2-Line Compressor, real-time visualization of input and output signal, two detection modes RMS & Peak, support of soft knee, auto release and auto makeup.
6-Tap Echo, real-time visualization of the processing of stereo signal, can tweak the parameters of 6 echo points individually: feedback, pan, volume etc.
IR Reverb, providing four types of IR: Room, Studio, Hall, and Larger Hall. 3D visualization of IR spectrum.

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