实验电子氛围音源 Slate and Ash Spectres KONTAKT 原声乐器声音设计音色库

KONTAKT | 14GB
(标准音色)

要求：7.7+

召唤听觉幻觉
SPECTRES 深入探索了激进扩展技巧的难以捉摸的领域。声音幻觉和光谱幻象在实验性录音和拼贴循环的隐藏细微差别中显露出来，揭示了一个令人难忘的噪音和色彩的光谱。
由实验作曲家和表演者 Lea Bertucci 策划，SPECTRES 包括由纽约一些顶级实验乐器演奏家表演的大量独奏扩展技巧。
除了来自十五位演奏家的 650 多个核心短语外，它还提供了我们全新的 COLLAGE 引擎中特别设计的声音纹理、氛围和音调，超过 500 种——这是一个尖端的样本循环环境，允许对源样本进行全面探索和再创造。

前卫音乐的领军人物
SPECTRES 故意远离古典规范，倾向于一些杰出音乐家的独特和鲜明的声音。
包括获奖的长笛演奏家和音乐先锋 Claire Chase、竖琴演奏家和 Björk 合作者 Zeena Parkins，以及著名的打击乐手 Sarah Hennies 的表演，SPECTRES 为实验音乐找到了新的角度。

全光谱色彩
录音由邪典工程师 Randall Dunn 捕捉——他以与 Tim Hecker、Sunn O))) 和已故的 Jóhann Jóhannsson 等人的合作而闻名——在他的布鲁克林录音圣地 Circular Ruin Studio。
十三种乐器跨越了有调性、无调性和非音高声音的广阔领域。从低音单簧管的 50 Hz 次谐波到它的阀门的点击和吱吱声，每一个“不完美”的细微差别都通过精确的麦克风定位得到强调，成为其自身独特的声音材料。

进入新浪潮
SPECTRES 捆绑了超过 500 个由 SLATE + ASH 团队精心制作的声音设计预设。
借鉴了 A24 和 Neon 等独立工作室引领的实验性电影配乐的新浪潮，他们提供了广泛的实验性声音——音垫、氛围、节奏、音调、脉冲、手势——每一个都使用 COLLAGE 引擎的超级可控界面扭曲和重新编程到以前未探索的领域。

共振翻译
除了原始录音外，还有三个额外的再放大通道：一个巨大的共鸣谷物筒仓、一堵失真放大器墙和一对老式 Roland 弹簧混响。
每个都在材料中揭示了新的音调特征——创造了一个巨大的空间和色彩调色板。这些被安置在我们多维混音器中，这个光谱景观可以自由探索，以设想新视角或不断变化的音色。

通过拼贴创作
SPECTRES 存在于我们全新的 COLLAGE 引擎中——一个充满活力的声音探索游乐场，充满了重叠的循环和对比片段。
受到具体音乐的胶带拼接技术的启发，COLLAGE 引擎重新组装并放大样本片段，构建重叠的序列和颗粒微观蒙太奇，超越了线性时间。一切都输入到一个复杂的混音器和效果环境中，几乎所有参数都具有类似模块的自动化。

666 × 发音
35 次中音萨克斯管
70 次次中音萨克斯管
59 次大提琴
32 次单簧管
42 次低音单簧管
32 次低音提琴
60 次长笛
52 次竖琴
94 次打击乐
47 次长号
33 次小号
58 次大号
52 次小提琴

519 × 预设
44 次抽象
31 次动画
70 次氛围
52 次形态
25 次手势
28 次动作
71 次音垫
35 次模式
55 次幽灵
74 次纹理
34 次音调

Slate and Ash Spectres KONTAKT
CONJURE AURAL ILLUSIONS
SPECTRES delves into the elusive realm of radical extended techniques. Sonic illusions and spectral apparitions reveal themselves in the hidden nuances of experimental recordings and collaged loops, unveiling a haunting spectrum of noise and colour.
Curated by experimental composer and performer Lea Bertucci, SPECTRES comprises a large catalogue of solo extended techniques performed by a selection of New York’s premiere experimental instrumentalists.
Alongside over 650 core phrases from fifteen players, it delivers more than 500 specially sound-designed textures, atmospheres, and tones created in our brand new COLLAGE engine — a cutting-edge sample looping environment that allows for full exploration and reinvention of the source Samples.

LEADING VOICES OF THE AVANT-GARDE
SPECTRES intentionally steps away from classical norms and leans into the unique and distinctive voices of a number of luminary musicians.
Featuring performances from the likes of award-winning flautist and musical pioneer Claire Chase, harpist and Björk collaborator Zeena Parkins, and renowned percussionist Sarah Hennies, SPECTRES finds fresh angles for experimental music.

IN FULL SPECTRAL COLOUR
Recordings were captured by cult engineer Randall Dunn — renowned for his work with the likes of Tim Hecker, Sunn O))), and the late Jóhann Jóhannsson — at his Brooklyn-based temple of recording Circular Ruin Studio.
Across the thirteen instruments are an expanse of tonal, atonal, and non-pitched sounds. From the 50 Hz subharmonic of a contrabass clarinet to the clicks and creaks of a its valves, every “imperfect” nuance is emphasised through precision microphone placement, becoming idiosyncratic sonic material in its own right.
ENTER THE NEW WAVE
SPECTRES comes bundled with a wealth of over 500 sound-designed presets expertly crafted by the SLATE + ASH team.
Drawing influence from the new wave of experimental film scoring spearheaded by independent studios such as A24 and Neon, they provide an enormous range of experimental sounds — pads, atmospheres, rhythms, tones, pulses, gestures — each warped and reprogrammed using the COLLAGE engine’s ultra-controllable interface into before-uncharted territories.
RESONANT TRANSLATIONS
Alongside the original recordings are three additional re-amplified channels: a huge resonant grain silo, a wall of distorted amplifiers, and a stereo pair of vintage Roland spring reverbs.
Each reveals new tonal character in the material — creating a huge palette of space and colour. Housed in our multi-dimensional mixer, this spectral landscape can be freely explored to envision new perspectives or ever-shifting timbres.

CREATING THROUGH COLLAGE
SPECTRES lives in our brand new COLLAGE engine — a dynamic playground for sonic exploration, full of overlapping loops and contrasting fragments.
Inspired by the tape-splicing techniques of musique concrete, the COLLAGE engine reassembles and magnifies fragments of samples, building overlapping sequences and granular micro-montages that transcend linear time. Everything feeds into a sophisticated mixer and effect environment, with modular-like automation of almost every parameter.

666 × ARTICULATIONS
35 alto saxophone
70 baritone saxophone
59 cello
32 clarinet
42 contrabass clarinet
32 contrabass
60 flute
52 harp
94 percussion
47 trombone
33 trumpet
58 tuba
52 violin

519 × PRESETS
44 abstract
31 animations
70 atmospheres
52 forms
25 gestures
28 movements
71 pads
35 patterns
55 spectres
74 textures
34 tones
Requires Native Instruments Kontakt Player or Kontakt FULL v7.7.0 or higher!