拉丝弦乐 Audiobro LASS2 Full [KONTAKT] 终极完整版 24GB LA Scoring Strings 2

KONTAKT | 24GB

LA Scoring Strings 2（LASS）为您带来了一整套全新的工具和声音配置文件，为采样的弦乐提供了更高水平的表现力，逼真度，实时演奏性和编程能力。

除了我们新的“舞台和色彩”功能（为您提供使LASS声音像著名的管弦乐唱片和电影配乐一样简单的方法）之外，LASS 2还具有60多个新音色，从Aleatoric（弦乐效果）到NV-Vib（非颤音到颤音）到真正的Legato Tremolo和Trill补丁。
以下是LASS 2.0的一些新功能的部分列表（您还可以阅读有关LASS的新ARC（Audiobro远程控制）的信息。

舞台和色彩舞台和色彩的核心是一组受著名电影乐谱和唱片启发的独家管弦乐队声音配置文件（颜色）。现在，只需按一下按钮，LASS就可以采用某些最令人垂涎​​的乐谱和录音的音色特征。
一个新的ARC（Audiobro远程控制）主脚本将使您可以从一个窗口中轻松地控制所有部分和除数。
ARC内部多个补丁的混响和宽度控件
ARC
CC内部多个补丁的ART编程ARC内部多个补丁的表控制ARC内部多个补丁的
自动排列控制一种内部多个补丁
的新按键切换方法弧

非弦乐（弦乐效果）补丁非颤音到颤音补丁
Legato Tremolo补丁
Legato Trill补丁
微型调音和调音的实时性能
CC衰减旋钮可实时或事后消除CC衰减，从而增加动态效果控制。
一个新的用户界面，更易于阅读，外观更愉悦。
由于包含了NI的NCW（无损压缩音频文件格式）文件，因此占用空间大大减少，仅为16.5GB。我们包含24位文件，因为与24位wave文件相比，它对硬盘驱动器的税收减少了大约30％。我们注意到使用NCW文件没有可测量的CPU命中，并且我们进行了大量测试。
许多其他新功能和改进

有超过60个新的补丁程序涵盖了LASS 2中的新关节（请参见下文），并且已对所有LASS 2.0补丁程序进行了重新设计以与ARC集成。

万一您想知道的话，无意弦是一个经常在电影评分中使用的术语，用来描述具有随机性和不谐调性的弦音，可以增强场景中的张力和戏剧性。LASS的Aleatoric贴片使用户能够（实时）执行这些类型的不和谐弦乐效果，这在电影乐谱中非常受欢迎。通过为贴片分配不同的除数并允许对调音和调制进行单独控制，您可以创建许多种类的不和谐弦，同时保持对其随时间变化的控制。这些音色包含在各种节段中的所有部分（小提琴，中提琴，大提琴和低音提琴）中：延音，颤音，颤音。

LASS的新Legato补丁比以前强大得多。这些补丁不仅可以演奏非颤音和颤音连音，滑音和滑音，而且还可以让您通过CC2完全透明地实时更改颤音的数量。此外，当您不再需要NV-Vib功能时，只需关闭NV-Vib模式而无需清除样品，从而节省了复音数。

我们还包括了一个CC衰减旋钮，用于所有连奏连奏。这使您可以通过向下旋转旋钮（甚至通过CC远程）来减少通道的动态。如果您喜欢动态效果，但只想将其降低一定百分比，则此功能很有用。

特征：

整合的连奏补丁连
奏过渡的实时加载/清除
实时加载/清除NV / Vib
自动排列器的快速开/关控制使

LASS的新Legato Trill补丁更加智能。使用琴键开关（指示乐曲的琴键），您可以执行全音阶颤音，当您演奏新的颤音音符时，到该颤音音符的过渡可以是连音，滑音或滑音过渡。

LASS的新Tremolo Legato音色使您可以通过连奏，滑音和滑音过渡演奏颤音线。这些补丁看起来与上面其他Real Legato补丁类似。

除了与ARC 100％集成外，LASS 2的新ART补丁还包括一些新的性能功能，包括实时量化和重新触发/连续模式。
重新演奏和连续模式新演奏的音符会重新触发节奏模式的开始，或者它们会继续播放并在节奏模式的同一位置加入其他音符。
量化一种新的量化方法，其中仅量化用户定义的音符值之外的音符。这允许用户保留人的感觉。当然可以100％量化音符。

所有LASS 2脚本均已更新，可以与ARC集成，因此您可以从一个集中式窗口远程控制LASS的所有重要功能。无需浏览所有补丁即可应用所需的更改。这既可以节省大量时间，又可以鼓舞人心。人们仅仅因为太耗费时间来执行而放弃了好主意多少次？好吧，这是ARC集成节省您时间的地方。

在LASS 2之前，如果要更改多个补丁程序的非性能设置，则必须逐个补丁程序进行更改。现在有了LASS 2和ARC，新修订的脚本会侦听ARC，并在ARC中选择的尽可能多的修补程序上更新设置。

自动编配器（现在可以从ARC的AA和DNH页进行控制）脚本带来了采样字符串库具有以下功能的前所未有的全新功能：
与ARC的深度集成，因此您现在可以将更改应用于批量仪器。 1个地方。
具有Real Legato，Real Portamento和Real Glissando的复音连奏
自动分音和准确的演奏者计数
在1个MIDI通道上用2只手演奏所有部分
让其他部分在不同的八度音阶处加倍
创建您的和弦动态转换
创建您自己的一组可自动切换的音调规则，
最多可实时调用13个声部！

延迟和人性化（现在可以从ARC的AA和DNH页进行控制）脚本具有以下功能：
所有补丁的主性能视图上现在都有一个新的AA On / Off按钮。
新的踏板行为模式已添加。
与ARC的深度集成，因此您现在可以将更改应用于一批仪器。

调优工具脚本（现在可以从ARC的“调优”页面控制）具有以下功能：使用可分配的调教CC
完整地重新设计脚本，进行
音色变换
与ARC的深度集成，因此您现在可以将更改应用于一批仪器。
调整工具脚本现在具有范围调整和微调整模式。
调音扩展到+/-最小3分（300美分），
将调优预设保存/加载到磁盘，或从磁盘加载调优预设
表移位器
自动键着色
新的Tuning Amt旋钮允许您分配CC来实时更改调音量。这样可以在

Stage & Color At the heart of Stage & Color is a collection of exclusive orchestral sound profiles (colors) inspired by famous movie scores and recordings. Now, at the push of a button, LASS can adopt the tonal characteristics of some of the most coveted scores and recordings.
A new ARC (Audiobro Remote Control) master script that will allow for dramatically easier control of all sections and divisis from a single window.
Reverb and width controls of multiple patches from within the ARC
ART programming of multiple patches from within the ARC
CC Table control of multiple patches from within the ARC
Auto Arranger control of multiple patches from within the ARC
A new Key Switching approach of multiple patches from within the ARC
Aleatoric (string effects) patches
Non Vibrato to Vibrato patches
Legato Tremolo patches
Legato Trill patches
Micro Tuning and real-time performance of tuning
A CC Attenuation knob that allows on to ride CC attenuation in real-time or after-the-fact for added dynamic control.
A new User Interface that is easier to read and more pleasant to look at.
A drastically reduced footprint of only about 16.5GB due to the inclusion of NI’s NCW (loss-less compression audio file format) files. We include the 24 bit files since it will be about 30% less taxing on your hard drive than a 24-bit wave file. We noticed no measurable CPU hit using the NCW files and we did a lot of testing.
Many other new features and improvements

There are over 60 new patches covering new articulations in LASS 2 (see below), and ALL LASS 2.0 patches have been reworked to integrate with the ARC.

In case your wondering, aleatoric strings is a term often used in film-scoring to describe string sounds that have randomness and dissonance that can heighten the tension and drama in a scene. LASS’s Aleatoric patches allow users to perform (in real-time) these types of dissonant string effects that are so sought after in film scores. By assigning the different divisis to a patch and allowing for individual control of tuning and modulation, you are able to create many varieties of dissonant strings while maintaining control of how it reacts over time. These patches are included for all sections (violins, violas, cellos and basses) in a variety of articulations: Sustains, Tremolos, Trills.

LASS’s new Legato patches are much more powerful than before. Not only do these patches play non-vibrato and vibrato legato, portamento and glissando articulations, but they also allow you to vary the amount of vibrato in real-time completely transparently via CC2. Furthermore, when you no longer need the NV-Vib functionality, you can simply turn off the NV-Vib mode without purging your samples thereby saving you polyphony.

We have also included a CC Attenuation knob to all legato patches. This allows you to reduce the dynamics of a passage by turning the knob down (even remotely via CC). This is useful if you like your dynamics but you just want to lower them by a certain percentage.

Features:

Consolidated legato patches
Realtime Loading/Purging of Legato Transitions
Realtime Loading/Purging of NV/Vib
Auto Arranger quick on/off control added

LASS’s new Legato Trill patches are smart. With a key switch (dictating the key of your piece) you can perform diatonic trills whereby, when you play a new trill note, the transition to that trill note can be either a legato, portamento or glissando transition.

LASS’s new Tremolo Legato patches allow you to play tremolo lines with legato, portamento and glissando transitions. These patches look similar to the other Real Legato patches as seen above.

Aside from being 100% integrated with the ARC, LASS 2’s new A.R.T. patches include several new performance features including real-time Quantization and a Retrigger/Continuous mode.
Retrigger and Continuous modes  newly played notes retrigger the start of the rhythm pattern or they continue on and join the other notes at the same spot in the rhythm pattern.
Quantize a new approach to quantizing where only notes outside of the user defined note value are quantized. This allows the user to retain the human feel. Of course one can 100% quantize the notes.

All of the LASS 2 scripts have been updated to integrate with the ARC so that you can control all of LASS’s important features remotely from one centralized window. No more having to scroll through all the patches to apply changes you need. This is both a big time saver and can be inspiring. How many times do people abandon good ideas simply because they are too time consuming to execute?! Well this is where ARC integration saves you time.

Before LASS 2, if you wanted to change the non-performance settings on multiple patches, you would have to make those changes on a per-patch basis. Now with LASS 2 and the ARC, the newly revised scripts listen to the ARC and update the settings on as many patches as you choose from within the ARC.

The Auto Arranger (now controllable from the ARC’s AA & DNH page) script brings a whole new range of features never before possible with sampled string libraries with the following features:
Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.
Polyphonic legato with Real Legato, Real Portamento and Real Glissando
Auto divisi and accurate player count
Play all sections with 2 hands on 1 MIDI channel
Have other sections double at different octaves
Create inversions of your chords on-the-fly
Create your own set of Key Switchable rules that you can invoke in real-time
Up to 13 part voice tracking!

The Delay and Humanization (now controllable from the ARC’s AA & DNH page) script has the following features:
A new AA On/Off button is now on the main performance view of all patches.
New Pedal behavior modes have been added.
Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.

The Tuning Tool script (now controllable from the ARC’s Tuning page) has the following features:
Complete script redesign
Tonal morphing using assignable Tuning CC
Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.
The Tuning Tool script is now has a Range Tuning and Micro Tuning mode.
Tuning expanded up to +/- min 3rd (300 cents)
Save/Load tuning presets to/from disk
Table Shifter added
Automatic key coloring
A new Tuning Amt knob allows you to assign a CC to change the tuning amount in real-time. This allow for dissonant string effects on every patch.