压缩 效果器插件 VoosteQ Material Comp v1.6.0 [WiN+MAC] AAX VST AU 饱和 放大器

版本 | WiN-1.5.0 | MAC-1.6.0

Win 7-11 | AAX | VST | VST3 | 38.5MB

Mac OSX10.12-Big Sur OSX 12.X| AAX | AU | VST | VST3 | 164.1MB

配备了“DFP”的尖端压缩器，这是
VoosteQ 花了 3 年时间开发的技术，以彻底再现模拟电路的细微差别。
可以在极低的 CPU 负载下实现母带级信号处理技术。
内部处理是完全 64 位的，并产生令人难以置信的透明度的声音。

6 个模拟压缩器
“Modern”、“60’s FET”、“Luxe VCA”、“Studio Master”、“OPTO”、“TUBE”。

6种高端模拟前置放大器的饱和模型
这是用来产生巧妙设计的模拟前置放大器驱动声音，而不是强烈的失真。

从模拟电路再现声音的 8 种口味
它彻底分析了环境、频率、声音相位的变化以及实际通过硬件电路时产生的其他元素并再现它们。它产生一种完全模拟的声音，而这种声音不能使用 EQ 再现。

由 VoosteQ 开发的 4 种原创胶水将所有声音汇集在一起
非常有效，例如在调整压缩器后进一步混合时。
除了混音总线外，它还对原声吉他和人声有影响。

“特殊部分” “特殊部分”
的 3 个功能使素材压缩器的声音更具吸引力。
它配备了“Punch”，可以产生更具攻击性的攻击以增强声音的特征，
“Groove”添加了一个随着输入信号实时波动的凹槽，
以及“Imager”，它使用母带工作室中使用的技术在立体声中扩展。

A cutting-edge compressor that is equipped with ”DFP” a technology that
VoosteQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit.
Mastering grade signal processing technology can be achieved with an extremely low CPU load.
The internal processing is fully 64 bit and produces sounds with unbelievable transparency.

6 analog model compressors
“Modern”, “60’s FET”, “Luxe VCA”, “Studio Master”, “OPTO”, “TUBE”.

6 saturation models of high-end analog preamps
This is used to generate skillfully designed analog preamp drive sounds, rather than strong distortion.

8 flavors that reproduce sounds from analog circuits
It thoroughly analyzes the ambiance, frequency, changes to the sound phases, and other elements made when actually passing through the circuit of hardware and reproduces them. It produces a completely analog sounds that cannot be reproduced using EQ.

4 original glues developed by VoosteQ that bring together all sounds
It is extremely effective, such as when blending further after adjusting the compressor.
It also has an effect on acoustic guitar and vocals, in addition to mix buss.

“Special Section”
The 3 features of the “Special Section” make the sounds of the Material Compressor even more appealing.
It is equipped with “Punch,” which produces a more offensive attack to enhance the features of the sounds,
“Groove,” which adds a groove that undulates in real time with the entry signals,
and “Imager,” which expands in stereo using techniques used at mastering studios.