模拟复古贝司音源 Teletone Audio Retrograde Bass KONTAKT 音色

KONTAKT | 3.5GB

Retrograde Bass是一款重现60年代末会议贝斯手的音色。Retrograde Bass拥有温暖、模拟和复古的声音，还有一系列工具可以将声音带入未来。从1968年到2068年，Retrograde Bass真正是低音的奥德赛。

RETROGRADE BASS是一款用于Native Instruments免费的KONTAKT PLAYER的虚拟乐器插件，与所有主要的数字音频工作站兼容（如Logic，ProTools，Cubase，FL Studio等）。

三种方式的复古Fender P-Bass……

拍掌弱音
我们在整个贝斯上采样了一块粘在琴弦顶部的毡布，并用手掌弱音琴弦。

轻拍掌弱音
您可以使用模式轮在拍掌弱音和轻拍掌弱音之间切换。我们第二次采样了整个贝斯，但手掌稍微抬起，以使弦能够保持更长时间的共鸣。

开放延音
第三次采样没有使用毡布或手掌弱音，允许弦自由共鸣。

详细了解Retrograde Bass界面。Jeremy深入介绍了独特的信号路径、界面控制和乐器的创意设计补丁。

1968 Fender Super Reverb
我们找到了一台完全原装的1968年Super Reverb放大器用于Retrograde Bass。尽管它通常是一台吉他放大器，但这款放大器是60年代和70年代很多你最喜欢的唱片会议乐手的首选装备。

4个复古麦克风信号
直达、带状、动圈、真空管
直达信号提供了一个干净、均匀的音调，在乐器的默认设置中使用。

复古带状麦克风信号具有丰富、温暖的音调和许多低中音信息。

动圈麦克风位置具有比之前更多的低端信息，并增加了一种很好的音色。

真空管麦克风信号具有很强的攻击性和更积极、前卫的声音。

扭曲信号
1968年->2068年
“扭曲”信号路径采用了原始贝斯采样的精华，并对其进行处理，产生了低保真和富有特色的声音。通过操控、扭曲、弯曲和移动，这条独特的路径在独立运行时或为任何麦克风位置增添纹理。

合成信号
RETROGRADE / FUTUREGRADE
除了提供各种麦克风位置的

Teletone Audio Retrograde Bass KONTAKT
The sound of a 1968 session player.

Retrograde Bass recreates the sound of session bass players from the late 60’s. Warm, analog, and vintage is where Retrograde Bass starts, but a whole host of tools can take the sound well into the future. From 1968 to 2068, Retrograde Bass is truly A Bass Odyssey.

RETROGRADE BASS IS A VIRTUAL INSTRUMENT PLUG-IN FOR NATIVE INSTRUMENTS’ FREE KONTAKT PLAYER, COMPATIBLE WITH ALL MAJOR DAWS (LOGIC, PROTOOLS, CUBASE, FL STUDIO AND MORE).

A vintage f

ender P-Bass 3 ways…

Palm Muted
We sampled the entire bass with a piece of felt taped to the top of the strings, in addition to muting the strings with the palm of the hand.

Light Palm Muted
You can switch back and forth between Palm Muted and Light Palm Muted using the Mod Wheel. We sampled the entire bass a second time, but with the palm slightly lifted to allow the strings to resonate longer.

Open Sustains
A third round of sampling was done with no felt or palm muting, allowing the string to resonate uninhibited.
Get an in-depth look at the interface of Retrograde Bass. Jeremy dives into the unique signal paths, controls of the interface, and the creative Design Patches of the instrument.

1968 Fender Super Reverb
We were able to track down an all-original 1968 Super Reverb for Retrograde Bass. Though it is normally a guitar amp, this amp was the weapon of choice for the session players on many your favorite records from the 60’s and 70’s.

4 Vintage Mic Signals
DIRECT, RIBBON, DYNAMIC, TUBE
The Direct signal gives you a clean, even sounding tone which we use in the default settings for the instrument.

The vintage Ribbon mic signal gives you a rich, warm tone with a lot of low-mid information.

The Dynamic mic position has more low end information that the ones before it, and adds a nice bite.

The Tube mic signal has a lot of attack and a more aggressive, forward sound.

Warped Signal
1968 -> 2068
The “Warped” signal path takes the essence of the original bass samples and processes them resulting in a lo-fi and characterful sound. Through manipulation, warping, bending, and shifting, this unique path stands out on its own or adds texture to any of the microphone positions.

Synth Signal
RETROGRADE / FUTUREGRADE
In addition to offering a wide range of microphone positions, you have the flexibility to blend in a synth signal. We’ve provided 3 synth wave forms: Square, Sawtooth and Sine wave.

This allows you to either add some low end sub to your mics (using the LP filter), or double it up at full fidelity to create an acoustic/synth hybrid sound.

Effects Rack
TRANSFORM THE SOUND
We made a selection of carefully crafted effects available to allow you take the sound further creatively. From saturation, reverbs, modulation effects, compression and a lo-fi warble you can transform the sound to something unique and characterful.