DAW宿主编曲软件 Ableton Live 12 Suite v12.0.2 [WiN+MAC] 数字音频工作站 含扩展70G+

版本 | v12.0.2
Win 10-11 | 3.45GB
Mac10.15-13.X | 3.77GB
扩展 – Pack + Max for live | 70GB+

Ableton Live 是一款快速、流畅、灵活的软件音乐序列器和数字音频工作站，用于音乐创作和演奏。它附带了效果、乐器、声音和各种创意功能 – 您需要制作任何类型的音乐。

您可以在传统的线性排列中创建，也可以在 Live 的会话视图中无拘无束地即兴创作。在不停止音乐和打破流程的情况下，自由地在音乐元素之间移动并玩耍想法。

→ Live 12 中的所有新功能和更新：

MIDI 转换 对 MIDI 乐句创建各种简单或复杂的变化：添加装饰和发音，绘制加速和减速曲线，连接连续的音符和和弦，或模拟吉他的扫弦效果。

MIDI 生成器 使用新的 MIDI 生成器调用旋律、和弦和节奏。为您选择的生成器添加自定义约束，观察它创建的富有趣味性和独创性的模式，然后将其生成的思路转变为您自己的思路。

Max for Live MIDI 工具 Max 现在支持更大的实验，让您创建新的 MIDI 转换和生成器 – 无论是基于现有的还是您自己的创作。

MIDI 编辑改进 按音高、速度或持续时间排列选择的音符顺序。以新的方式拉伸、分割、切割或连接音符；调整音符的速度；将其移调到音阶；或以半音或按键的形式添加音程。

音调和音阶 将所选剪辑的音阶设置为 Live 控制栏中的音阶，以查看您创建的任何剪辑中的音符。然后使用音阶突出显示作为指南编辑剪辑，使用剪辑音阶转换和生成音乐思路，或将 MIDI 设备和乐器的音阶与正在播放的剪辑同步。在 Live 中进行的任何更改都将反映在 Push 上，反之亦然。

扩展的概率 为一组音符分配单个概率规则，以便每当触发器触发时播放整组音符。或选择一个和弦，并告诉 Live 在概率触发器触发时随机播放其中一个音符。

接受并探索调谐 跟随您喜欢的调谐系统或尝试更轻松地使用不同的调谐系统。可以在 12 平均律体系之外工作，并通过 Live 的设备以及任何支持 MPE 的插件访问调谐。

Meld 一款双音色、支持 MPE 的仪器，设计用于深度声音塑造，让您可以使用两个易于使用的宏振荡器创建各种各样的纹理和实验性音调。

Granulator III Robert Henke 的颗粒合成器的最新版本现在支持 MPE，使您可以对参数进行表达控制，如音符弯曲、颤音和滑音。此外，您现在可以实时捕获音频并立即开始操纵它。

Roar 使用 Live 的新着色和饱和效果创建从微妙而精确的主控级温暖到狂野且不可预测的声音退化。Roar 的三个饱和级别可以串联、并行使用，甚至在中/侧和多频段配置中使用 – 它配备了反馈生成器和广泛的调制矩阵。

新的调制行为 调制目标不再由调制源接管。

Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

→ All new features and updates in Live 12:

MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.

MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.

Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.

MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.

Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.

Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.

Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.

Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.

Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.

Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.

New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.

New Pack
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.

New Pack
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.

Stacked Detail Views
View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views.

View styling
Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music.

Mixer in Arrangement
Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer.

Mixer improvements
Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control.

Browser Tagging and Filtered Searches
Search for your sounds in the Browser without the constraints of Live’s built-in categorization. That means when you search for bass sounds, you’ll see all the bass sounds in your Ableton library, whether they’re samples or instrument presets.

Live 12’s sound content is also tagged using a new system that acts as a more flexible alternative or addition to Collections in the sidebar. Sounds now come with sensible labels to make them easier to find – but if you need more detail, or just want to use your own method of labeling, you can also add your own.

Aside from Live 12’s built-in tags, you can create your own custom categories in the sidebar for easy access to all your favorite sounds and devices in the way that makes the most sense to your workflow.

Sound Similarity Search
Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Or swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.

Browser History
Retrace your steps, and see and hear the sounds or categories you’ve previously searched for: Live’s Browser now lets you backtrack through your search history as you would with a web browser.

Accessibility and navigation improvements
Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.

New Themes
Choose new themes and adjust them with cool, neutral or warm tones and even a high contrast mode

Supported Operation System:
• macOS 11.0 or later
• Apple Silicon or Intel Core processor