影视配乐情感大中小提琴弦乐音源 Ben Osterhouse Sospiro Strings v1.5 KONTAKT 编曲音色库 暂无演示

影视配乐情感大中小提琴弦乐音源 Ben Osterhouse Sospiro Strings v1.5 KONTAKT 编曲音色库

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    KONTAKT | 3.2GB
    (非标准音色库)

     


    Sospiro Strings 是一个 Kontakt 库,用于制作缓慢而富有情感的弦乐。它包含 4 种不同长度的膨胀和 3 种持续的发音,由低音提琴、大提琴、中提琴和小提琴录制而成。
    特点
    每种乐器都有独立的 nki,还有一个将所有乐器混合在一起的 nki,可用作更简单的素描工具,也可节省内存。

    有两种膨胀音:
    – 揉弦膨胀音提供了温暖、独特的声音。揉弦采样音效的好坏取决于定时拉伸的程度,这也是为什么有非揉弦采样音效选项的原因。所有膨胀音最初都是以 110 BPM 录制的
    – 非颤音膨胀音音色清晰,尤其能让人注意到每种乐器的音色变化。

    每个版本(颤音和非颤音)都有一个速度层。

    使用 “Length in Beats”(以节拍为单位的长度)滑块,您可以选择适当的长度,然后选择相应的膨胀音,并根据需要进行时间拉伸。

    如果项目的节拍较快,而你希望它听起来较慢,或反之亦然,那么长度倍增器就非常有用。

    智能释放功能使你无论在采样的渐强部分保持音符多远,它都会跳到距膨胀结束的位置。这意味着,音符保持的时间越长,其释放的时间也就越长。

    所有的膨胀都可以是揉弦或非揉弦。揉弦可以增加音色的温暖感和个性,但在某些情况下可能会有些夸张。非颤音则非常清晰,尤其是当每种乐器的音量变大或变小时,音色的变化会更引人关注。揉弦采样音色的好坏取决于其定时拉伸的程度,这也是为什么非揉弦采样音色可以作为一个选项的原因。

    同步功能是最基本的功能之一:启用同步功能后,您在和弦中添加或更改的任何音符都将与弹奏的第一个音符同步。
    有 3 种不同的延音
    – 冷延音使用慢弓演奏,不使用揉弦,是一种濒临破碎的脆弱音色。
    – 温暖的延音是在指板上演奏的,使用快速、自由变化的弓子和宽松的揉弦。
    – 饱满的延音在靠近琴桥的位置演奏,弓子要慢而重。揉弦的使用要慎重。

    还可以选择双音,将两个音例叠加在一起,并稍稍分开。如果你只使用一种乐器本身,而且一次只演奏几个音符,这种效果会更好。如果您演奏的是大和弦,并将所有 4 种乐器分层在一起,加倍功能往往会让声音听起来更普通、更无趣。
    需要 Kontakt v5.8.1 或以上的完整版本!
    Ben Osterhouse Sospiro Strings v1.5 KONTAKT 
    Sospiro Strings is a Kontakt library for creating slow, emotive strings. It features 4 different length swells and 3 sustained articulations, recorded on bass, cello, viola, and violin.
    FEATURES
    There are separate nki’s for each individual instrument, and there is an nki with all instruments mixed together, to work as a simpler sketching tool, and also to save memory.

    There are 2 varieties of Swells:
    – The vibrato swells are provide a warm, individual sound. The vibrato samples sound better or worse depending on how much they are being timed-stretched, which is why it is especially nice to have non-vibrato as an option. All of the swells were originally recorded at 110 BPM
    – The non-vibrato swells have a clear tone which especially brings attention to the change in tone as each instrument louder and softer.

    Each version, Vibrato and non-vibrato has a single velocity layer.

    Using the Length in Beats slider, you can choose the appropriate length, and the corresponding swell will be chosen and time-stretched if needed.

    The Length Multiplier is useful if you have a project with a fast bpm and you want it to sound slow, or vice versa.

    The Smart Release feature makes it so that however far into the crescendo-ing part of the sample you have held the note, it will jump that far from the end of the swell. This means that the longer you hold a note, the longer its release will be.

    All of the swells can be either vibrato or non-vibrato. The vibrato adds warmth and individuality to the sound, but may be a bit over dramatic in some cases. The non-vibrato has a lot of clarity, and especially brings attention to change in tone as each instrument gets louder and softer. The vibrato samples sound better or worse depending on how much they are being timed-stretched, which is why it is especially nice to have non-vibrato as an option.

    The Sync feature is one of the most essential features: with Sync enabled, any notes you add or change in a chord will sync with the first note that was played.
    There are 3 varieties of Sustains:
    – The cold sustains are played with a slow bow and no vibrato –a fragile sound at the edge of breaking.
    – The warm sustains are played over the fingerboard with a fast, freely changing bow and generous vibrato.
    – The full sustains are played closer to the bridge with a slow, heavy bow. Vibrato is used with discretion.

    There is an option to double the sound, which layers two instances together and pans them slightly apart. This sounds better if you are only using one instrument by itself and only playing a few notes at a time. If you are playing big chords and layering all 4 instruments together, the doubled feature tends to sound more generic and uninteresting.
    The FULL version of Kontakt v5.8.1 or above is required!

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