喷火氛围抒情钢琴音源 Spitfire Audio Ólafur Arnalds Stratus KONTAKT 电影游戏配乐音色库

KONTAKT | 21.12GB
(标准音色库)

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钢琴，重新想象
将科技的力量与钢琴的有机美和情感相结合，Stratus 是一种庞大、动态的新型乐器，将为您的音乐增添深度、动感和色彩。与 BAFTA 获奖的冰岛作曲家和制作人 Ólafur Arnalds 合作制作，这种多功能的多维工具通过复杂的多节奏钢琴表演网络弯曲了空间和时间。令人敬畏的模式和和声折射的大气云团在您的指尖下膨胀和消散，根据您的演奏展开，并立即激发新的想法。

Stratus 立即可玩且易于使用，它在一个定制的界面中呈现，由八个多层次的钢琴和合成器矩阵组成，每个矩阵都提供独特的声音体验 — 以及详细的定制选项和令人惊叹的扭曲声音，提供全谱系的情感。

情感的谱系
在我们与著名作曲家 Ólafur Arnalds 的第四次合作中，我们为您带来了一个全新的多维乐器，基于他广受好评的软件：复杂的 MIDI 算法编程，以触发一系列直接和切分节奏的音符混合，在两台相同的自动演奏钢琴上。Spitfire 使用这个模型创建了一个高度直观和交互的工具，并增强了独特功能，同时录制了完整的表演，以捕捉钢琴本身的深刻情感、有机特性 — 立即为您演奏的任何内容增添动感的回声，并推动您探索新的可能性。

即时音乐性
Stratus 使您可以轻松地从最简单的安排中创造出细腻的基于钢琴的音乐。旨在帮助您创作音乐或完成曲目或乐谱，按住一个音符或和弦，让自己沉浸在独特的、鼓舞人心的和声折射云和节奏表演中，因为它们在您的指尖下膨胀、演变和消散。无论您试图创造什么样的情绪，它都提供了一个由用户输入衍生的全谱系的情感 — 从亲密的循环、膨胀和质感到像雨一样落下的复杂节奏，以及梦幻般的、广阔的音景。

详细定制
虽然由 Ólafur 特别策划，但您可以控制这些和声元素的组合如何发展 — 通过您的演奏，以及通过广泛的内置定制选项和一系列效果。四个基于钢琴的矩阵捕捉了 Ólafur 钢琴的惊人有机声音，跨越立体声场进行全景，以真实地表现钢琴在它们空间中的表现，无缝地融合为一，而四个合成器矩阵则使用相同的技术创建类似的模式，使用 Olafur 的 Korg PS-3100 制作惊人的节拍锁定节奏循环，以及他的 Juno-60 制作的梦幻般的群聚纹理。随机化栏具有实验性控制，可进一步随机化 Stratus 的行为，利用库的生成性质。Stratus 的多功能性使其适用于独奏作品，以及为管弦乐库添加质感和不可预测的元素，并补充我们著名的 Ólafur Arnalds 系列中的库。

定制界面，配备八个 8×8 矩阵，包括五个 Z 轴层
– 节奏波：节拍同步的节奏，逐渐攻击/膨胀
– 节奏攻击：节拍同步的节奏，强烈的攻击
– 循环节奏：节拍同步的循环
– 群聚：非节拍同步的群聚纹理
– 合成器矩阵：循环节奏
– 合成器矩阵：群聚
– 合成器矩阵：群聚
– 合成器矩阵 – 循环节奏短 1
– 合成器矩阵 – 加载节奏短 2

广泛的内置定制选项
– 节拍同步
– 输入量化
– 复音 – 选择一次触发的声音数量
– 直接钢琴重播 – 在演变的模式上演奏直接钢琴
– 低音音符优先，增加低音线的稳定性
– ADSR 和一系列效果
– 随机化和演变功能
– 三个直接钢琴预设，带有左、中和右信号选项
– 在我们的水银合成器引擎中呈现的扭曲合成器内容
– 适用于 NKS

Stratus 的工作原理是取一个单音，并根据策划的节奏重复它，将节奏在两台自动演奏的钢琴之间分割，同时根据一定程度的随机性重新定位音符上移或下移八度，这种随机性决定八度是否应该跳跃。我们的 Evo 网格技术由音符范围触发，Stratus 矩阵通过音组工作 — 取决于您演奏音符的顺序以及演奏的数量。

机器中的幽灵
在一场车祸中遭受急性神经损伤后，Ólafur 无法用左手演奏，这激发了他开发智能定制软件的动力，可以触发自动演奏、半生成的“幽灵”钢琴 — 他的“机器人写作伙伴”，在与程序员 Halldór Eldjárn 经过两年的实验，精心完善这项技术后，他将其纳入了他的现场表演 — 在舞台上演奏电子键盘，而他的两台相同的钢琴伴随着他，为每位观众创造出独特的补充音符和模式的瀑布。Stratus 钢琴也是他广受好评的 2018 年唱片 re:member 的声音世界的重要组成部分。

被这种情感有机物理与电子创新的巧妙融合所吸引，我们在 Ólafur 位于雷克雅未克的工作室里花了数周时间捕捉这些独特声音的 Yamaha DU1E3 毡阻尼钢琴。我们没有采样单个音符，而是通过算法同时触发，完整录制了大量多节奏模式和纹理的表演，这些算法是与 Ólafur 精心策划的。使用老式的 KM83 和 Coles 麦克风以及 Millenia 话放进行近距离录音，我们保留了他独特声音钢琴的美丽共鸣，以及完整的动态和音调范围，通过令人惊叹的技术赋予生命。

Ólafur Arnalds
Ólafur Arnalds 是一位 BAFTA 获奖的冰岛作曲家和制作人，以其独特的有机和电子音景混合而闻名，不断推动音乐的界限。作为一个热衷于实验和创新的人，他的音乐基础是重金属鼓手和钢琴家，Ólafur 开发了带有效果、循环、节拍和他自己的创新定制软件的室内弦乐和钢琴编排。总部位于冰岛雷克雅未克，Ólafur 对声音和作曲的方法激发了新一代享受和创作现代新古典音乐的人。

自他 2008 年的首张专辑《Eulogy for Evolution》以来，他在全球范围内稳步获得了认可，无论是作为 BAFTA 获奖作曲家（《Broadchurch》，Wayne McGregor 的 Dyad 1909）还是作为巡回独奏艺术家，在新古典唱片公司 Erased Tapes 发行并因他 2018 年的发行 re:member 而获得巨大赞誉。他经常与其他音乐家合作 — 作为实验电子二人组 Kiasmos 的一部分，并与 fellow musician Nils Frahm 发布了一系列钢琴和合成器即兴作品。

与著名冰岛作曲家合作创作的畅销图书馆系列：
Evolutions — 独特的弦乐四重奏纹理和长进化短语；Chamber Evolutions — 引入了他的标志性“波浪”弦乐样本，这些样本在您的指尖下演变；以及亲密的 Composer Toolkit — 在一个富有特色的“毡化”大钢琴上录制。对于受 Scandi Noir 运动影响、希望创造美丽、进步的混合合奏音乐的音乐家和作曲家来说，这是必备的。

水银合成器
这个巧妙的用户界面具有一系列有机声音和特别策划的扭曲声音。所有控件都可以分配给您的控制面，让您能够立即使我们的声音成为您自己的。

新更新 – 2020 年 11 月
我们的 2020 年 11 月更新带来了 9 个新的合成器矩阵，为用户提供了图书馆调色板的合成器方面的额外补充。Ólafur 亲自策划了这九个矩阵，使用所有模拟合成器，通过模拟处理（磁带回声和延迟）通过 Ólafur 的 Studer 桌面录制，所有都是使用伪随机策划的序列器制作的，该序列器为钢琴和图书馆中现有的合成器提供食物。所有合成器代表不同的节拍，所有由 Ólafur 策划，彼此完美契合，并能够在矩阵中随机化，提供无限可能性。这 9 个新的合成器矩阵由 3 个循环节奏矩阵、1 个波浪矩阵和 5 个群聚矩阵组成。

Spitfire Audio Olafur Arnalds Stratus KONTAKT
The piano, reimagined
Fusing the power of technology with the organic beauty and emotion of the piano, Stratus is a vast, dynamic new instrument that will add depth, movement and colour to your music. Made in collaboration with BAFTA-winning Icelandic composer and producer Ólafur Arnalds, this versatile, multidimensional tool bends space and time through an intricate network of polyrhythmic piano performances. Awe-inspiring patterns and atmospheric clouds of harmonic refractions swell and die away at your fingertips, unfolding based on what you play and instantly sparking new ideas.

Instantly playable and easy-to-use, Stratus is presented in a bespoke interface made up of eight multi-layered piano and synthesizer matrixes, each offering a unique sonic experience — plus detailed customisation options and mind-blowing warped sounds, offering a full spectrum of emotion.
A spectrum of emotion
In our fourth collaboration with renowned composer Ólafur Arnalds, we bring you a brand new, multidimensional instrument, based on his acclaimed software: sophisticated midi algorithms programmed to trigger a mix of straight and syncopated rhythmic patterns of notes, on two identical self-playing pianos. Spitfire has used this model to create a highly intuitive and interactive tool enhanced with unique features, while recording full performances to capture the profoundly emotional, organic nature of the pianos themselves — instantly adding echoes of movement to anything you play, and pushing you to explore new possibilities.

Instant musicality
Stratus makes it easy to create nuanced piano-based music from the most simplistic of arrangements. Designed to help you write music or finish that track or score, hold down a note or a chord and lose yourself in unique, inspiring clouds of harmonic refractions and rhythmic performances as they swell, evolve and die away at your fingertips. Whatever the mood you are trying to create, it offers a whole spectrum of emotion, derived from user input — from intimate loops, swells and textures to intricate rhythms falling like rain, and dreamy, expansive soundscapes.

Detailed customisation
While specially curated by Ólafur, you control how these combinations of harmonic elements develop — both by what you play, and with extensive built-in customisation options, as well as a comprehensive range of effects. The four piano-based matrixes capture the stunning organic sounds of Ólafur’s pianos, panned across the stereo field to give a true representation of the pianos in their space, seamlessly blended into one, while the four synthesiser matrixes employ the same technology to create similar patterns, with stunning tempo-locked rhythmic loops made using Olafur’s Korg PS-3100, and dreamy swarm-like textures from his Juno-60. The Randomise bar features experimental controls to further randomise Stratus’ behaviour, taking advantage of the library’s generative nature. Stratus’ versatility lends itself to solo compositions, as well as adding texture and unpredictable elements to orchestral libraries, and complementing the libraries in our acclaimed Ólafur Arnalds series.
Bespoke interface featuring eight 8×8 matrixes complete with five Z-axis layers
– Rhythmic waves: tempo-synced rhythms with a gradual attack/swell
– Rhythmic attacks: tempo-synced rhythms with a strong attack
– Looped rhythms: tempo-synced loops
– Swarms: non tempo-synced swarm-like textures
– Synth matrix: looped rhythms
– Synth matrix: swarms
– Synth matrix: swarms
– Synth matrix – looped rhythms shorts 1
– Synth matrix – loaded rhythms shorts 2

Extensive built-in customisation options
– Tempo-sync
– Quantise on input
– Polyphony – select how many voices are triggered at once
– Straight piano overplay – play straight piano on top of evolving patterns
– Low note priority, for added stability to bass lines
– ADSR and a comprehensive range of effects
– Randomise and evolve functions
– Three straight piano presets with left, centre and right signal options
– Warped synth content, presented in our mercury synth engine
– NKS ready

Stratus works by taking a single note and repeating it according to a curated rhythm, splitting the rhythm between the two self-playing pianos while at the same time relocating the note up or down the octave based on a curated level of randomness, that chooses whether or not the octave should jump. Where our Evo Grid technology is triggered by note range, the Stratus matrix works by voice groups — dependent on the order in which you play the notes, and how many you play.
Ghost in the machine
After suffering acute nerve damage following a car accident that left him unable to play with his left hand, Ólafur was motivated to develop intelligent custom software that could trigger self-playing, semi-generative ‘ghost’ pianos — his ‘robot writing partners’, and after spending two years experimenting with programmer Halldór Eldjárn to painstakingly perfect this technology, he incorporated it into his live show — playing an electronic keyboard on stage while his two identical pianos accompanied him to create a cascade of complementary notes and patterns, with each performance unique to each audience. The Stratus pianos also play an integral part in the sound world of his acclaimed 2018 record, re:member.

Captivated by this stunning fusion of emotive organic physicality and the ingenuity of electronic innovation, we spent several weeks at Ólafur’s studio in Reykjavik capturing these unique-sounding Yamaha DU1E3 felt-dampened pianos in their natural habitat. Rather than sampling single notes, we made full recordings of multitudes of polyrhythmic patterns and textures performed by both pianos, triggered simultaneously by algorithms, carefully curated in collaboration with Ólafur. Recorded close using vintage KM83 and Coles microphones and pristine Millenia preamps, we have retained the beautiful resonances, and full dynamic and tonal range of his distinctive sounding pianos, brought to life by stunning technology.

Ólafur Arnalds
Ólafur Arnalds is a BAFTA-winning Icelandic composer and producer, known for pushing the boundaries of music with his unique blend of organic and electronic soundscapes. Always a keen experimenter and innovator, with musical foundations as both a heavy metal drummer and pianist, Ólafur develops chamber strings and piano arrangements with effects, loops, beats, and his own innovative, custom-built software. Based in Reykjavík, Iceland, Ólafur’s approach to sound and composition has inspired a new generation to enjoy and create modern neoclassical music.

Since his debut album, Eulogy for Evolution, in 2008, he has steadily gained recognition worldwide, both as a BAFTA-winning composer (Broadchurch, Wayne McGregor’s Dyad 1909) and as a touring solo artist, releasing on neoclassical label Erased Tapes and receiving huge acclaim for his 2018 release, re:member. He regularly collaborates with other musicians — as part of experimental techno duo Kiasmos, and releasing a series of piano and synth improvisations with fellow musician Nils Frahm.

The latest in an acclaimed series
Discover our bestseller libraries created in collaboration with the celebrated Icelandic composer: Evolutions — unique string quartet textures and long evolving phrases; Chamber Evolutions — introducing his signature ‘Waves’ strings samples which evolve beneath your fingers; and the intimate Composer Toolkit — recorded on a characterful ‘felted’ grand piano. A must-have for musicians and composers influenced by the Scandi Noir movement, looking to create beautiful, progressive, hybrid ensemble music.
Mercury synth
This ingenious user interface features a range of organic sounds and specially curated warped sounds. All of the controls are assignable to your control surface, giving you the ability to instantly make our sounds your own.