喷火汉斯季默打击乐音源 Spitfire Audio Hans Zimmer Percussion Professional v1.0.b29 KONTAKT 电影配乐音色库 暂无演示

喷火汉斯季默打击乐音源 Spitfire Audio Hans Zimmer Percussion Professional v1.0.b29 KONTAKT 电影配乐音色库

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  • KONTAKT | 123GB
    (标准音色库)

    终极电影级打击乐采样


    Spitfire Audio与电影配乐界最大牌的名字合作,制作了终极的电影级打击乐采样库。这个库包含了奥斯卡获奖作曲家汉斯·季默在他的大片配乐中使用的合奏和独奏乐器。我们利用了他多年的创造力和工作室实验,为您提供了创作史诗级鼓乐作品所需的一切。从tombeks到taikos,从低声细语到雷鸣般响亮,我们与汉斯的格莱美获奖团队合作,捕捉了最高质量的录音,包括在伦敦AIR Studios的Lyndhurst大厅中,由他本人混音和制作的录音。
    专业版还包含了制作人皇家贵族Junkie XL、Geoff Foster、Alan Meyerson和Steve Lipson的额外混音,包括CPU友好的立体声混音和10个单独的麦克风位置。
    由电影配乐大师制作
    汉斯·季默是当代最成功、最有影响力和多产的电影作曲家之一。他赢得了无数奖项,包括奥斯卡奖,为包括《角斗士》、《盗梦空间》、《星际穿越》、《蝙蝠侠:黑暗骑士》和《敦刻尔克》在内的电影配乐,被认为是当代最伟大的在世电影作曲家之一。汉斯不仅定义了一种作曲风格,还定义了一种制作方法和声音创新,对一代作曲家产生了影响。
    与汉斯·季默及其格莱美获奖工程师、音乐家和技术人员紧密合作,我们推出了汉斯·季默对电影级打击乐制作的专家、授权诠释。这里不仅是对他方法的一种模仿或合成,而是一种再创造;同样的世界顶级录音室、音乐家、乐器、信号链和工程师,由汉斯本人亲自监督每一个细节,同样注重细节和完美,结合了Spitfire的创新技术,旨在为您提供终极的创作定制。
    伦敦合奏和独奏
    汉斯·季默打击乐将两个非凡的录音单元的输出结合起来。来自“伦敦合奏”块的材料展示了汉斯最喜欢的四位打击乐手——Frank Ricotti、Gary Kettel、Stephen Henderson和Paul Clarvis——演奏各种乐器和风格,基本上是过去十年音乐实验和创新的精华。
    这包括他经典的选择:鼓合奏和关键独奏乐器:
    低声鼓,低声鼓画廊,太鼓合奏,铙钹合奏,波波姆合奏,高太鼓独奏,低太鼓独奏,大型太鼓独奏,低音鼓画廊,锣鼓独奏,Surdu合奏,Dohl合奏,Tombek合奏,Bombo合奏,桶和军鼓合奏,桶和压碎机合奏,桶顶和达布卡,纸Djun,Piatti,铁砧,定音鼓合奏。由Paul Clarvis演奏的乐器包括:桶,军鼓,压碎机,纸Djun,Tombek,Dohl,达布卡,Surdu。
    其余部分展示了汉斯的长期合作者和打击乐传奇人物,Paul Clarvis(007:幽灵党,《蝙蝠侠:黑暗骑士》,《哈利·波特》,《星球大战》)演奏了一系列美丽的独奏乐器,为这个史诗系列增添了更多咬合力、细节、焦点、清晰度和细微差别。汉斯喜欢比其他任何东西都要安静的层次,所以除了你预期的咬合雷声之外,还有更低的层次,提供了进行细腻的鼓编程以帮助推动你的线索的潜力。
    重磅声音
    与汉斯·季默的许多作品一样,这个库是在伦敦AIR Studios的Lyndhurst大厅录制的,通过一条令人印象深刻的信号链:96个稀有麦克风通过Neve Montserrat前置放大器,通过世界上最大的Neve 88R调音台(每个动态层次都进行了彻底的重放增益,以获得最佳的信号质量),通过双链到HDX和Prism转换器,运行在192k。我们为每个鼓和演奏方式录制了多达9个循环和6个动态层次;仅这些会话就有超过30TB的原始材料。
    专业版
    这个库包括以下A级作曲家、制作人和工程师的混音:
    – Hans Zimmer – 《敦刻尔克》、《狮子王》、《星际穿越》、《盗梦空间》、《蝙蝠侠:黑暗骑士》
    – Junkie XL – 《疯狂的麦克斯:狂暴之路》、《死侍》、《蝙蝠侠大战超人》
    – Geoff Foster – Bjork, 《少年派的奇幻漂流》、《敦刻尔克》、《夜行动物》、《消失的爱人》
    – Alan Meyerson – 《角斗士》、《加勒比海盗》、《星际穿越》
    – Steve Lipson – Paul McCartney, Jeff Beck, Annie Lennox, Pharrell Williams – (5次格莱美获奖和多次提名)
    在所有乐器上
    – Hans Zimmer:艺术家元素:近距离、房间距离、环绕(远距离)
    – Alan Meyerson:艺术家元素:近距离、房间距离、环绕(远距离)
    – Geoff Foster:艺术家元素:近距离麦克风、树形麦克风、外置(宽)麦克风、环绕(远距离)麦克风;附加麦克风:瓶形麦克风、中麦克风、画廊麦克风、心形过顶、中PZM、环境
    仅在合奏内容上
    – Hans Zimmer, Alan Meyerson, Geoff Foster, Junkie XL和Steve Lipson的立体声混音
    – Junkie XL:艺术家元素:近距离、房间距离、环绕(远距离)

    The ultimate cinematic drum sample library
    Spitfire Audio joins forces with the biggest name in film scoring to produce the ultimate drum sample library for cinematic percussion. Featuring the ensembles and solo instruments used by Oscar-winning Hans Zimmer in his blockbuster scores, we’ve drawn on his years of creativity and studio experimentation to give you all you need to create epic drum composition. From tombeks to taikos, playing from whisperingly quiet to thunderously loud, we’ve worked with Hans’ Grammy award-winning team to capture the highest quality recordings, featuring the same players in Lyndhurst Hall at AIR Studios, London, where Hans records his biggest scores, all mixed and produced by the man himself.

    The Professional edition also includes additional mixes by producer royalty Junkie XL, Geoff Foster, Alan Meyerson and Steve Lipson, including CPU-friendly stereo mixes and 10 individual microphone positions.
    Produced by the master of film scoring
    Hans Zimmer is one of the most successful, influential and prolific film composers of his generation. Having won countless awards including Oscars, his scores for films including Gladiator, Inception, Interstellar, The Dark Knight and Dunkirk he is considered one of the greatest living film composers. Hans has defined not only a compositional style, but also a production approach and sonic innovation that has influenced a generation of composers.

    Made in close collaboration with Hans Zimmer and his team of Grammy-winning engineers, musicians and technicians, we present Hans Zimmer’s expert, authorised take on cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation; the same world class studio, musicians, instruments, signal chain and engineers, overseen in every detail by Hans himself with the same attention to detail and perfection, coupled with Spitfire’s pioneering technology designed to offer you ultimate creative customisation.

    London ensembles and solos
    Hans Zimmer Percussion combines the output from two extraordinary recording blocks. Material from the “London Ensembles” block features four of Hans’ go-to percussionists – Frank Ricotti, Gary Kettel, Stephen Henderson, Paul Clarvis – performing a variety of instruments and styles, in what is essentially a distillation of over a decade’s worth of musical experimentation and innovation.

    This includes his classic selection of drum ensembles and key solo instruments:
    Low Booms, Low Boom Gallery, Taiko Ensemble, Tamtam Ensemble, Boobams Ensemble, Hi Taiko Solo, Low Taiko Solo, Large Taiko Solo, Bass Drum Gallery, Gong Drum Gallery Solo, Surdu Ensemble, Dohl Ensemble, Tombek Ensemble, Bombo Ensemble, Buckets & Snares Ensemble, Buckets & Crushers Ensemble, Bucket Top & Darbuka, Paper Djun, Piatti, Anvils, Timpani Ensemble. Instruments played by Paul Clarvis include: Bucket, Snare, Crusher, Paper Djun, Tombek, Dohl, Darbuka, Surdu.

    The remainder of the library features long term Hans collaborator and percussion legend, Paul Clarvis (Spectre, The Dark Knight, Harry Potter, Star Wars) who plays a beautiful selection of solo instruments that offer added bite, detail, focus, clarity and nuance to this epic series. Hans loves the quiet layers more than any other so as well as the bitey thunder you’d expect, there are lower layers that offer up the potential for engaging delicate drum programming to help tick your cues along.
    The blockbuster sound
    As per many of Hans’ scores, this library is recorded in Lyndhurst Hall at AIR Studios, London, via an impressive signal chain: 96 rarefied microphones into Neve Montserrat preamps, into the world’s biggest Neve 88R desk (which was exhaustively re-gained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k. We have recorded the drums and articulations each with up to 9 round robins and 6 dynamic layers per hit; there’s well over 30 TB of raw material from these sessions alone.

    The Professional edition
    This library includes mixes by the following A-List composers, producers and engineers:
    – Hans Zimmer – Dunkirk, The Lion King, Interstellar, Inception, Dark Knight
    – Junkie XL – Mad Max: Fury Road, Deadpool, Batman v Superman
    – Geoff Foster – Bjork, Life Of Pi, Dunkirk, Nocturnal Animals, Gone Girl
    – Alan Meyerson – Gladiator, Pirates of the Caribbean, Interstellar
    – Steve Lipson – Paul McCartney, Jeff Beck, Annie Lennox, Pharrell Williams – (5 Grammy wins and multiple nominations)

    Across all instruments
    – Hans Zimmer: Artist Elements: Close Perspective, Room Perspective, Surround (Far) Perspective
    – Alan Meyerson: Artist Elements: Close Perspective, Room Perspective, Surround (Far) Perspective
    – Geoff Foster: Artist Elements: Close Mics, Tree Mics, Outrigger (Wide) Mics, Surround (Far) Mics; Additional Mics: Bottle Mics, Mid Mics, Gallery Mics, Overheads Cardioid, Mid PZM, Ambient Pair

    Across the ensemble content only
    – Stereo mixes by Hans Zimmer, Alan Meyerson, Geoff Foster, Junkie XL and Steve Lipson
    – Junkie XL: Artist Elements: Close Perspective, Room Perspective, Surround (Far) Perspective
    Kickstart engine
    This interface is built especially for our percussive libraries to make it easy to map sounds to any connected MIDI interface. It also includes the microphone mixer and available feature controllers.
    Kickstart 2
    An additional kickstart interface for the timpani allowing you to play the full range of these instruments in a separate patch.

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