交响乐合成管弦乐音源 Ergo Kukke Virtual Symphony KONTAKT 编曲音色库

KONTAKT | 6.7GB
(非标准音色)

多年来，Ergo Kukke 的 Virtual Symphony（虚拟交响乐）是世界上最逼真的全合成交响乐团，它能带来独特的音效，并能在管弦乐队各声部之间变形。是的，你没有听错，这是 100% 的合成器，经过精心编程、处理、采样，以更爱 CPU 的方式提供给你。这款乐器将帮助你获得灵感，开始下一次配乐、作曲或演奏，而板载快照将帮助你快速完成。

Virtual Symphony 是一款完美的工具，可用于谱写下一首乐曲，或使用它的大型音效填充管弦乐空间，以增强音效。这些音效可相互配合，也可单独使用，但仍能保持逼真的特性。您可以自由组合任何管弦乐声部，并在管弦乐中对每种组合进行前所未有的操作。您可以按照自己的喜好构建或破坏音效。

主要功能

每个音源都有独立的 3 段均衡器、包络和滤波器参数
音高移动控制，可移动 +/- 36 个半音
特定音源平移控制
采样选择随机化
“音源移动 “操纵垫，控制增益分配比例
“滤波器移动 “操作垫，控制所有音源或每个音源的滤波器截止和共振
两个操纵垫的 “水平”、”垂直 “和 “环形 “调制单元
“编辑调制 “菜单包含 4 个 LFO 模块，用于调制任何音源参数，以及 4 个包络模块，用于控制多个不同音源参数的动态效果
“编辑效果 “菜单包含 9 种不同的效果模块：合唱、失真、Lo-Fi（Bitcrusher）、Replika 延时、Spatial（立体声场增强器）、滤波器、Phasis（Phaser）、Convolution（混响）和 Flair（调谐、谐波增强镶边）。
“编辑随机化 “页面，可切换多组参数的随机化设置

里面有什么？

9.12GB 压缩采样和文件
74 种乐器和部分
7 个快照类别，包含 145 个快照，分为预编程和预设计的管弦乐组合、渐弱乐段、摇摆乐段、敲击乐段和弹拨乐段、主题乐段、打击乐段和短乐段以及特效乐段
四个样本源，可从弦乐、铜管乐、木管乐、打击乐、弹拨乐中选择单个乐器部分，或从单个合成部分中选择。还包括各种乐器的变奏，以及可能是世界上最大音效的教堂管风琴，为庞大的管弦乐队增色不少。

主要功能

不受任何乐器演奏范围的限制，拓展您的音乐实验。整个键盘都开放供您探索。

不过，最佳音域位于 Kontakt 中的 C3 左右或 DAW 中的 C5 左右，基本上就是键盘的中心位置。对于低音乐器，您可以尝试弹奏比它低 3 个八度的音，对于高音乐器，您可以尝试弹奏高八度的音。

这些乐器都是以多速度采样的，并用 “vel “标记，也可以在 “sources ENV “选项卡下设置速度感应。

其他信息
关于演示音乐
Ergo Kukke 为《虚拟交响乐》创作的配乐示例仅使用了乐器自带的音效（”Kumite Fighter “除外）。音轨采用了非常简单的母带：
“向勇敢致敬 “展示了虚拟交响乐制作古典音效的能力
“图坦卡蒙失落的卷轴 “展示了虚拟交响乐制作主题配乐的能力
“Crashed In Unknown》展示了虚拟交响乐在管弦乐音效设计方面的突破能力。
“Kumite Fighter》展示了虚拟交响乐融入 Ergo Kukke 其他声音和风格的能力。

结束语
随着技术的进步，虚拟交响乐提供了前所未有的调制管弦乐的可能性，利用现代合成和采样技术扩展和推动了传统管弦乐的体验。从复杂的弦乐到高亢的铜管乐，这个乐团将把你带入新的音乐境界，让你的作品栩栩如生。
该乐团不仅为管弦乐音效提供了一种全新的创新方法，还为音乐家们提供了一个突破创意极限的平台。试想一下，拥有控制和操纵管弦乐音色的能力是传统音色库所无法实现的。虚拟交响乐为音乐家提供了一个声音画布，让他们以一种全新的、令人兴奋的方式表达自己的艺术构想。
这不仅是管弦乐音乐家和电影作曲家的机会，也是任何有兴趣探索任何风格的虚拟交响乐的人的机会。因此，无论您是经验丰富的专业人士还是初学者，”虚拟交响乐 “都将为您提供一次令人兴奋的未来音乐之旅。
“虚拟交响乐 管弦乐的新时代” Ergo Kukke
Ergo Kukke Virtual Symphony KONTAKT| 6.7Gb
Years in the making,Virtual Symphony by Ergo Kukke, is the worlds most realistic fully synthesized orchestra, bringing to the table a unique sound and morphing between orchestral sections. Yes, you heard correctly, it’s 100% synthesizers, that were carefully programmed, treated, sampled and made available to you in a more CPU loving way. This instrument will help you get inspired and start your next score, composition or banger and the onboard snapshots will help you do it quickly.

Virtual Symphony will be a perfect tool to use to mainly compose your next piece or use it’s large sound to fill your orchestral space to beef up the sound. The sounds are made to work together or individually and still maintain realistic characters. You have the freedom of combining any orchestral section and manipulate each of such combinations to an extent, never before seen in orchestral music. Build or destroy the sound the way you like.

Key Features:

Independent 3-band EQ, Envelope & Filter Parameters, for each source
Pitch Shifting Controls, for shifting +/- 36 semitones
Source-Specific Panning Controls
Sample Selection Randomisation
“Source Movement” Manipulation Pad, controlling the Gain Distribution Ratio
“Filter Movement” Manipulation Pad, controlling Filter Cutoff & Resonance on either all sources, or per-source
“Horizontal”, “Vertical” & “Circular” Modulation Units, for both Manipulation Pads
“Edit Modulation” Menu, containing 4 LFO Modules, for modulating any source parameter, alongside 4 Envelope Modules, for controlling the dynamics of multiple different source parameters
“Edit Effects” Menu, featuring 9 different Effects Modules; Chorus, Distortion, Lo-Fi (Bitcrusher), Replika Delay, Spatial (Stereo Field Enhancer), Filter, Phasis (Phaser), Convolution (Reverb) & Flair (Tuned, Harmonics-Enhancing Flanger)
“Edit Randomise” Page, housing toggles for the randomisation of multiple sets of parameters

What’s inside?

9.12GB compressed samples and files
74 Instruments and sections
7 Snapshot categories with 145 snapshots divided into preprogrammed and predesigned Orchestral Combos, Decrescendo Sections, Swells, Perc & Pluck, Thematic, Hits & Shorts and FX
Four Sample Sources to select individual instrument sections from Strings, Brass, Woodwind, Percussion, Plucked or select from individually synthesized Sections. Variations of instruments also included together with, possibly, the worlds largest-sounding Church Organs to add to the big sounding orchestra.

Key Features:

Expand your musical experimentations whith not being limited by the playing range of any instrument. The entire keyboard is open for you to explore.

The sweetspot, however, is located around C3 in Kontakt or C5 in your DAW, basically, the center of your keyboard. For bass instruments try playing 3 octaves below that and for higher instruments you can try an octave higher.

The instruments are either sampled in multi-velocity, marked by “vel” or can be made velocity sensitive under the sources ENV tab.
Four Flexible Sample Sources

The four sound sources allow you to layer sounds from Strings, Brass, Woodwind, Percussion, Plucked, Sections and Church Organs. Together they will add colour to your next masterpiece.

The controls on each sound source allow you to tailor the sound to your project’s needs, thus making them extremely effective. These include EQ, Envelope & Filter to mix your sounds and make them unique.
Source Movement’ Manipulation Pad

One of Virtual Symphony’s interesting features, the “Source Movement” Manipulation Pad, permits for control over the four sound source gain dynamics to morph or fade inbetween them.

Continually shifting the focus of your orchestral layers, the produced sound will create movements not possible with traditional orchestras.

You can easily change how the sounds mix with each other with the onboard controls and tailor the result to your specific needs.
Filter Movement’ Manipulation Pad

By allowing for the modulation of the filter cutoff frequency and resonance of each audio source independently, ultimate control over the timbre of each layer is now possible.

This control over tonal dynamics massively increases possible sound outcomes for interesting and unique sound.

When combined with the already impressive freedom of the “Source Movement” Pad, the possibilities truly are infinite.
Edit Modulation’ Menu

Virtual Symphony has four LFO’s and four ADSR Envelopes with various Sound Source parameters to choose from.

Whether you want control in your hands of how the sound moves and behaves or you want to be surprised by the Randomise function, these tools are there to add dynamic character to your sounds.

Ergo Kukke Virtual Symphony KONTAKT screenshot
Nine Included Effects Units

The nine built-in effects can be used to further mix the sounds or add delicious flavours.

Whether you want to thicken up the sound, add distortions or widen your sound, these effects are extremely useful tools at your service.

Ergo Kukke Virtual Symphony KONTAKT screenshot
Edit Randomise’ Page

Randomisation can spark infinite ideas and get a new track started, so we made sure that the randomising engine changes parameters and values that make the most inspirational sense.

The randomisation menu puts control in your hands, so you can choose what you would like to change on a sound.
About The Demo Music

The example scores for Virtual Symphony, by Ergo Kukke, use only the sound that come with the instrument (excluding “Kumite Fighter”). A very simple master was applied to the tracks:

“Salute For Bravery” show-offs Virtual Symphony’s ability to produce a more classical sound
“The Lost Scroll Of Tutankhamun” shows Virtual Symphony’s ability to produce thematic scores
“Crashed In Unknown” showcases Virtual Symphony’s ability push orchestral boundaries with sound design.
“Kumite Fighter” demonstrates Virtual Symphony’s ability to fit into other Ergo Kukke sounds and styles.

End Note

With the advancements in technology, the Virtual Symphony offers never before posibilities to modulate an orchestra that extends and pushes the traditional orchestral experience with modern synthesizing and sampling techniques. From intricate strings to soaring brass, this ensemble will transport you to new musical realms and bring your compositions to life like never before.

Not only does this orchestra offer a fresh and innovative approach to orchestral sound, it also provides a platform for musicians to push the boundaries of their creativity. Imagine having the power to control and manipulate aspects of an orchestral sound not possible with a traditional libary. Virtual Symphony provides a sound canvas for musicians to express their artistic vision in a new and exciting way.

This opportunity is not just for orchestral musicians and film composers, but for anyone who is interested in exploring Virtual Symphony in any style. So whether you are a seasoned professional or a beginner, Virtual Symphony offers an exciting journey into the future of music-making.

“Virtual Symphony. The new era of orchestral music” Ergo Kukke