Soniccouture Grand Marimba v2.0.0 KONTAKT-音源-马林巴-钟琴 名族打击乐器

KONTAKT | 3.21GB

现代的马林巴舞是非洲巴拉芬舞的后裔，起源于墨西哥，其典型特征是安装在金属谐振器管上方的木棒，可使用挡块对其进行调谐。

这款Soniccouture乐器具有5音阶的Yamaha 6100，由马林巴传奇人物安倍敬子（Keiko Abe）设计。

6100是最先进的技术，具有独家精确调音，洪都拉斯玫瑰木杆和焊接的共鸣器，可确保无颤音。

TREMOLO FLOW
Tremolo是一种具有表现力的marimba技术，我们设计了一个原始的Kontakt模块，以无与伦比的准确性对其进行仿真。它可以轻松处理1到4种和声（因为marimba演奏者很少使用超过4个槌），并且可以根据传入的MIDI或您的演奏实时智能地重新映射颤音。

Tremolo的速度和速度可以使用MIDI控制器实时进行调制。

人性化控件提供了更自然的表达-通过细微的随机量改变序列的时间和速度-使您的合成物呼吸和流动。

仪表板
仪表板主面板包含ADSR控件，带包络调制的滤波器部分和带翻转的立体声宽度。在面板的下半部分可以看到铰接开关。

采样马林巴马林巴
是巨大的，宽约3米，这给录制它带来了挑战。
不可能太靠近大型仪器并保持任何合理的立体声图像。
由于我们的目标是进行私密，非环境的录制，因此我们需要一个非常大但相对干燥的录音棚来工作。

需要KONTAKT 5或KONTAKT 5 PLAYER 5.5或更高版本

DEMO

A descendant of the African balafon, the modern marimba originated in Mexico, and is typified by wooden bars mounted above metal resonator tubes, which can be tuned using stops.

This Soniccouture instrument features the 5-octave Yamaha 6100, designed with marimba legend Keiko Abe.

The 6100 is state of the art, with exclusive precision tuning, Honduran Rosewood bars and welded resonators for rattle-free playing.

TREMOLO FLOW
Tremolo is such an expressive marimba technique that we’ve designed an original Kontakt module to emulate this with unparalleled accuracy. It comfortably handles 1 to 4 voices of harmony (since marimba players rarely use more than 4 mallets), and will intelligently remap the tremolo in real time based on the incoming MIDI or your playing.

The speed and velocity of the Tremolo can be modulated in real time using a MIDI controller.

The Humanise controls offer even more natural expression – vary the timing and velocity of a sequence by subtle, random amounts – allowing your composition to breathe and flow.

THE INSTRUMENT PANEL
The main Instrument panel contains ADSR controls, a filter section with envelope modulation, and stereo width with Flip. The articulation switches can be seen in the lower half of the panel.

SAMPLING THE MARIMBA
The marimba is massive, almost 3 meters across, which makes recording it a challenge;
it isn’t possible to get too close to an instrument that large and maintain any sort of sensible stereo image.
And since we were aiming for an intimate, non-ambient, recording, we needed a very large but relatively dry studio to work in.

Requires KONTAKT 5 or KONTAKT 5 PLAYER version 5.5 or later